This season from Milan Fashion Week, a different angle, we are covering Lineapelle. The large trade fair on luxury leather production. The event is something, an education on how to produce opulent products.
Stay tuned for more.
The 75th Berlinale is coming to a close. Did the film festival make a sharp turn upward? For this Chat Cinema podcast round up discuss the cinema event under new leader head Tricia Tuttle.
Designer Victor Hart from Bologna gave a fast interview about his denim line. Stay tuned for the video story.
The Critic: Strong performance from McKellen
Finally released in German cinemas, The Critic stars renowned stage and screen actor Sir Ian McKellen. It is London, 1934, and McKellen is an infamous theatre critic called Jimmy Erskine. For fifty years Erskine has written biting theatrical reviews for respected national newspaper The Daily Chronicle. When the newspaper proprietor dies, his son David Brooke (Mark Strong) takes charge. However, Brooke wants to implement immediate changes to compete with its rival The Daily Mail. He also advises Erskine to tone down his writing style, and public proclivities.
Meanwhile, struggling theatre actress Nina Land (Gemma Arterton) also admires Erskine’s work. Therefore, she is upset by his cruel reviews of her performances, and this also infuriates Brooke. When Erskine is arrested for drunken and lewd behavior, the editor issues him a final warning. This will soon culminate in Brooke ending Erskine’s contract with one month’s notice.
Needing to save his job, Erskine watches Nina’s performance in Shakespeare’s Twelfth Night. Brooke is also in the audience and Erskine notices him emotionally moved. Therefore he writes Nina the glowing review she has always wished for. However, this praise for Nina will come at a cost. In return, she must do him a favor and seduce the already besotted Chronicle editor.
The Critic is McKellen’s film, he almost singlehandedly saves it from oblivion. Although Arterton and Strong give excellent supporting performances, no other characters are foregrounded or resonate. Patrick Marber’s previous scripts for Closer (2004) and Notes on a Scandal (2006) had tangible sensitivity. However, in The Critic witticisms take precedent over progressive characterization.
Anand Tucker is multi-talented and experienced in all aspects of film production. Here, however, the effect is counter-productive. There is no conspicuous director imprint and so the trajectory becomes jarring. Indeed, The Critic premiered at Toronto IFF in September 2023 to mixed reviews. It was considered that the dark ending was unpopular with the audience. Therefore, the film’s distributor requested re-shoots. The September 2024 general release had a new cut and a new ending.
By Steven Yates
Once again the Anamorphic Club Cafe opened for two days during the Berlinale. A place to meet and greet filmmakers while looking over the filmmaking goods from Sony cameras, Hawk lens and Vantage Films. Directors, producers and cinematographers came together for chats and seminars on the latest filmmaking trends.
From the Anamorphic Club Cafe at the Berlinale, a Chat Cinema report on festival news.
Here is a quick overview from the Chat Cinema Podcast on the 75th edition of the Berlinale. There is a PLUS and a Minus.
For this episode of Chat Cinema we talk about the Berlinale. The 75th edition starts February 13th. Has the film gathering event turned a major corner with a new head? The Honeymoon period was pleasant. Now comes the hard part. Turning the Berlin gathering into a true “A-List” festival.
But, beneath the mixed headlines, we also found some gems that will screen over the course of ten days.
Check out the podcast with co-host Steven Yates.
The Baroque City of Dresden should be on everyone’s itineraries. The Saxony Capital offers splendid historical architecture.
At the Anamorphic Club Cafe Berlin we talked to Cinematographer Jeff Jur about Dirty Dancing on enduring quality of the 1987 film.