Is the Berlinale Reinventing or Repackaging?

The new Berlinale Poster, released the last week of December shows a new modern style. The number seventy-five features prominent at the right corner.  Ditching film festival Bear artwork is supposed to signal change, breaking from the past, the arrival of a new era, a reinvention of a once significant February cinema event.  But, is… Continue reading Is the Berlinale Reinventing or Repackaging?

Is the Course Change Working?

What happens when a course change may fail before the actual implementation? The 75th edition of the Berlinale could soon become a case study answering this question.   Less than two months before the German Capital hosts filmmakers, headlines rolling out have painted an unflattering portrait of the Potsdamer Platz headquarters.   Head Tricia Tuttle makes… Continue reading Is the Course Change Working?

The Courage of Speaking Out

Croat Director Nebojša Slijepčević lifter a page from a tragic event in his region’s history for the the short film “The Man Who Could Not Remain Silent“. The story of a train ride that turned into courage and loss during The 90’s Balkan War. This Chat Cinema Podcast talks to the Cannes Film Festival Palm… Continue reading The Courage of Speaking Out

Choice or Opportunity talk on Chat Cinema

theater or cinema auditorium screen with red curtains and seats

Director Wes Andre Goodrich talks about his short film MEAL TICKET on this episode of Chat Cinema Podcast. The work centers on a story of a choice and an opportunity. The up and coming Brooklyn based filmmaker’s delves into the conscience of a person taking a step upward, but at what price?

Choices in Their Works

Chat Cinema interviews Award Winning Directors, talking about their short films and future work. Cannes Film Festival Golden Palm Winner The Man Who Could Not Remain Silent from filmmaker Nebojsa Slijpcevic and Meal Ticket by Wes Andre Goodrich are works concerning choices. Stay Tuned for the new episodes.

A Mad Max Ending

The expectation was for a Summer 2024 Blockbuster, the reality was a fizzle.  There have been so much written about the failure to generate a barely noticeable Memorial Weekend debut of Furiosa, the latest Mad Max installment.  After only collecting $31 million at the box office over the four-day weekend.  One commentator after another has… Continue reading A Mad Max Ending

Coppola’s Return?

The big news from Cannes Film Festival 2024 is the return of 1970’s auteur Francis Coppola with MEGALOPOLIS. The American Born director’s first feature in thirteen years. Early notices about the $120 million production have not been positive with industry professionals calling the work “Challenging”. The all star sci-fi drama includes acting heavyweights Adam Driver,… Continue reading Coppola’s Return?

The Infuriating Cover-up on St. Helena

Screened at the 2022 Tribeca Film Festival, the documentary The Story of Bones he recently hit the headlines of the British paper The Guardian. The feature debut from duo Joseph Curran and Dominic Aubrey de Vere is the story of a purposely hidden tragedy. The Transatlantic Slave Trade’s so called “Saviors” were not as benevolent… Continue reading The Infuriating Cover-up on St. Helena