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A Solidified Berlinale

Berlinale press team sent me the location of the press conference, my eyes rolled. House of the Cultures of the World.  A 1957 building straddling the Spree River in the Tiergarten section of the city. The symbolism of the location is not lost. After all the controversial headlines, the festival needed to prove point of being open to all.  The problem is getting to this symbol of universal openness.  Indian Jones would need patience this locale is inside the city, yet in a remote place not easily reached. I needed to take the U5 to the nearest Metro Station, Bundestag, then another eight-minute walk in -2C weather. After talking to other colleagues, we decided to watch the YouTube stream then discuss the details afterward. The reactions, The Berlinale has solidified its place as a second-tier festival.

This has been a cold January in the German Capital.  Tricia Tuttle came out on stage wearing a jacket. Was this for warmth or protection? As the newly installed head of the Berlinale spoke in a clear but at times flatness enthusiasm. The jacket could have been more a security blanket.  As the newly creative head read from cards, her lack of fervor became clear.

The team placed a best foot forward, going down the list of films on the scheduled to show in February. Normally before a film festival the buzz is built by press leaks of works that will unspool.  The only news from Berlin concerned last year’s controversial anti-semitic row, budget cuts this year, threatened boycotts and then the sudden increased funding from the Ministry of Culture.  Keeping track of a tennis ball would have been easier than staying up to date on news coming from Potsdamer Platz.

Berlinale

If there were high expectations, a breath of fresh air for the 75th edition of the Berlinale, the audience’s reaction sucked the air out of the room.   The timid, almost chilly polite applause did not need explanation.  Instead of something new, the festival was merely repackaging an average grade product.   The Competition Section has a Richard Linklater work in the batch among the nineteen films in the run for the Golden Bear.

On the small-scale glamour front, the Special Section will include A Complete Unknown with Timothee Chalamet for a German Premiere and Robert Pattison in Bong Joon Ho’s Mickey 17 will hit the Red Carpet. Other stars confirmed to attend are Jessica Chastain with more to be announced.  Perhaps the pleas for more big stars to come only reached the Junk Mailbox.

The Berlinale continues to say “It is one of the big festivals” alongside Cannes and Venice in relevance   It is time to stop believing the press releases.  For Tricia Tuttle, the honeymoon period is over.  

The Berlinale starts Feb 13th.

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Cinema entertainment news

No Ordinary Cinema

David Lynch never offered ordinary cinema to film audiences. Instead the cerebral filmmaker challenged narrative styles with Blue Velvet and his tv show Twin Peaks. The Montana born, three time Oscar Nominee died at age 78.

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chat cinema. Cinema entertainment news

Is the Berlinale Reinventing or Repackaging?

The new Berlinale Poster, released the last week of December shows a new modern style. The number seventy-five features prominent at the right corner.  Ditching film festival Bear artwork is supposed to signal change, breaking from the past, the arrival of a new era, a reinvention of a once significant February cinema event.  But, is the new Berlinale just recycling the old with more colorful packaging?  It takes more than shiny artwork to re-establish confidence in a film festival that has dug itself into a celluloid hole.

Berlinale Poster

After a few conversations with some professional industry colleagues about the upcoming edition, we are starting to have more questions.  What happened to doing something new?  It is no secret the Berlinale fell behind, lacking the grandeur of Cannes, the artistic component of Venice, the hipness of Sundance or the commercial launching heft of SXSW, the space for change, a new way opportunity,is wide open in the German Capital.  Yet, festival head Tricia Tuttle is on a Honey Moon press tour using pleasant Cucumber Salad language on how the festival looks to differentiate itself from the past. However, on closer examination, what changed appears unclear to regular Berlinale goers.  One category eliminated, a new one added, the same past filmmakers with the similar thematic films appear on the schedule, again.

The wait and see game has started.   Hopefully, the newly installed Berlinale team has not wasted precious good will. 

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Is the Course Change Working?

What happens when a course change may fail before the actual implementation? The 75th edition of the Berlinale could soon become a case study answering this question.   Less than two months before the German Capital hosts filmmakers, headlines rolling out have painted an unflattering portrait of the Potsdamer Platz headquarters.   Head Tricia Tuttle makes her debut February as the first female head of the international film hub.  Although, reading recent Berlinale news coverage, the American may want to take cover in a dark movie theater in order to forget all the troubles.  

Berlinale

Budget cuts, lack of screens, controversial past winners have taken a toll on the Berlinale’s reputation in the global filmmaker community.  Global filmmakers may skip Berlin, weary of being labeled antisemitic because of their stance on the Middle East conflict.  Instead of celebrating cinema, captions reading “a balancing tightrope”, “unwanted fears”, “revising the budget every month” are overshadowing a cinematic event trying to regain competitive footing with Cannes and Venice Festivals. 

As for the movies announced so far, the schedule comes as torpid, local, lacking big draws, a zero-sum excitement level.  The Competition category announcement occurs on January 21st. Perhaps then, the Berlinale can regain some it’s lost luster.

The Berlinale starts February 13th.

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The Courage of Speaking Out

Croat Director Nebojša Slijepčević lifter a page from a tragic event in his region’s history for the the short film “The Man Who Could Not Remain Silent“. The story of a train ride that turned into courage and loss during The 90’s Balkan War. This Chat Cinema Podcast talks to the Cannes Film Festival Palm d’ Or winner about the circumstances and speaking out in the face of brutality.

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Choice or Opportunity talk on Chat Cinema

Director Wes Andre Goodrich talks about his short film MEAL TICKET on this episode of Chat Cinema Podcast. The work centers on a story of a choice and an opportunity. The up and coming Brooklyn based filmmaker’s delves into the conscience of a person taking a step upward, but at what price?

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Choices in Their Works

Chat Cinema interviews Award Winning Directors, talking about their short films and future work. Cannes Film Festival Golden Palm Winner The Man Who Could Not Remain Silent from filmmaker Nebojsa Slijpcevic and Meal Ticket by Wes Andre Goodrich are works concerning choices. Stay Tuned for the new episodes.

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An Out Of Sync Gladiator 2

Ridley Scott’s 2000 Best Picture directorial work Gladiator was a seminal moment in 21st century cinema.  Oscar winner Russel Crowe’s broody Maximus made an impression on filmgoers.   Gladiator 2 arrived in cinemas this week.  It is best to leave well enough alone. This come twenty-four years later sequel is an out of sync spectacle.

Paul Mescal has some big sandals to fill as Lucius, the less brutal, more pondering vengeful son of Maximus. Not lacking in the spirit of role but lacking the grit, the Irish actor looked as if he was learned how to swim without an instructor for the first time. 

Gladiator 2
Denzel Washington as Macrinus

Denzel Washington as the scheming Macrinus was relishing his role at times the twice Academy Award earner overshadowed a cast that came off as having taken a high dosage of Xanax.

The Wikipedia referenced script has the usual assortment of Roman Empire intrigue for the civic crown.  I, Claudius captured these characters better.

Scott plays well with the visual, too bad the whole Gladiator 2 was just a lot of humdrum separate parts.

2.5/5 stars.

Gladiator 2 is in European Cinemas.  Running Time: 2 hours 28 mins.

Release Date in the US on November 22nd.

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A Talent Boxed In

Luther: Never Too Much is the story of performer Luther Vandross. The crooner who was “Too Black”, “Too Big” got boxed in by the music business. The color codes of the industry meant the New York born native never gained wide stream acceptance, i.e. the White Audiences embrace. After stints on Sesame Street then music arranging for super star David Bowie, Luther embarked on a R&B solo career. However his success in a “defined” Black American genre came at a price. The eight Grammy Winner’s record label refused to allow him to cross over, despite working with mainstream artists Diana Ross, Donna Summer and Bette Midler.

Director Dawn Porter’s soft touch balances presentation with a touch of grievance. “Life is a perfect line of ironies” goes the expression.

Luther Vandross passed away in 2005.

Luther: Never Too Much is in cinemas and available on MAX.

Luther: Never Too Much was screened at the 2024 Tribeca Film Festival.

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The Season is Here

Awards Season has started, so has our screening of films that could get nominated for a trophy. Look for news, interviews and reviews here.