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Once again the Anamorphic Club Cafe opened for two days during the Berlinale. A place to meet and greet filmmakers while looking over the filmmaking goods from Sony cameras, Hawk lens and Vantage Films. Directors, producers and cinematographers came together for chats and seminars on the latest filmmaking trends.
@blackandpaper A bit of classical with the Berlinale event at the Anamorphic Club Cafe by Sony, Vantage Films and Hawk Lens #filmfestival #berlinale #pianomusic #filmmakers #piano
♬ original sound – Blackandpaper – Blackandpaper
Chat Cinema interviews Award Winning Directors, talking about their short films and future work. Cannes Film Festival Golden Palm Winner The Man Who Could Not Remain Silent from filmmaker Nebojsa Slijpcevic and Meal Ticket by Wes Andre Goodrich are works concerning choices. Stay Tuned for the new episodes.
Ridley Scott’s 2000 Best Picture directorial work Gladiator was a seminal moment in 21st century cinema. Oscar winner Russel Crowe’s broody Maximus made an impression on filmgoers. Gladiator 2 arrived in cinemas this week. It is best to leave well enough alone. This come twenty-four years later sequel is an out of sync spectacle.
Paul Mescal has some big sandals to fill as Lucius, the less brutal, more pondering vengeful son of Maximus. Not lacking in the spirit of role but lacking the grit, the Irish actor looked as if he was learned how to swim without an instructor for the first time.
Denzel Washington as the scheming Macrinus was relishing his role at times the twice Academy Award earner overshadowed a cast that came off as having taken a high dosage of Xanax.
The Wikipedia referenced script has the usual assortment of Roman Empire intrigue for the civic crown. I, Claudius captured these characters better.
Scott plays well with the visual, too bad the whole Gladiator 2 was just a lot of humdrum separate parts.
2.5/5 stars.
Gladiator 2 is in European Cinemas. Running Time: 2 hours 28 mins.
Release Date in the US on November 22nd.
Luther: Never Too Much is the story of performer Luther Vandross. The crooner who was “Too Black”, “Too Big” got boxed in by the music business. The color codes of the industry meant the New York born native never gained wide stream acceptance, i.e. the White Audiences embrace. After stints on Sesame Street then music arranging for super star David Bowie, Luther embarked on a R&B solo career. However his success in a “defined” Black American genre came at a price. The eight Grammy Winner’s record label refused to allow him to cross over, despite working with mainstream artists Diana Ross, Donna Summer and Bette Midler.
Director Dawn Porter’s soft touch balances presentation with a touch of grievance. “Life is a perfect line of ironies” goes the expression.
Luther Vandross passed away in 2005.
Luther: Never Too Much is in cinemas and available on MAX.
Luther: Never Too Much was screened at the 2024 Tribeca Film Festival.
Awards Season has started, so has our screening of films that could get nominated for a trophy. Look for news, interviews and reviews here.
Do you need a few films to watch this Halloween? These are titles we recommend for night at home with popcorn.
From IFA 2024 Marshall Mao talks about his strides his company Yaber Entertainment Projectors has made with image as a well as audio quality for home cinema and why a portable projector is a fun device for a picnic.
The 20th annual HollyShorts film festival is underway. Check here for coverage with reviews and interviews with filmmakers from the Hollywood gathering.
Please go to our YouTube Channel for Chat Cinema Podcasts with other filmmakers.
A snippet from the Before Tacky podcast with filmmaker Kevin Macdonald about fashion designer John Galliano. Rumours have hit the fashion gossip circuit the once former creative head of Dior is set for a return to the famed house. Click below to understand why we think this story feels a bit false.
The Hollywood Strikes hit the entertainment industry in 2023. Work stoppages caused disruptions along the chain from Hollywood to independent cinema. The film festival circuit did escape the five-month long actors and writer’s dispute. As I cover the Tribeca Film Festival there is a marked difference in the level of entrants. A number of foreign filmmakers along with titles from female directors made the cut this year. The New York City film event unveiled 114 narrative and documentary titles.
Hot masculine top, athletic body, how hard would it be for a guy with this description on his profile to hook-up on Grindr? Nicolas Finegan’s Some Kind of Paradise short film handles the challenges of a Gay Life based on isolation, fast food sex and the ins and outs of emotional intimacy. John Brodsky makes a subtle impression of a sexually in demand man boxed in, suddenly tapping into awakening feelings.
Since the fall of Jim Crow, African Americans have made inroads to higher education, however not without challenges. Recent headlines of the US Supreme Court tossing College Admission Affirmative Action Programs are the latest struggles. For People of Color, navigating certain spaces can be tricky, a balancing act of fitting in, yet trying to retain identity. Black Table, is the story not just about race but of social economic class attending Yale University in the 1990’s. The film is a soft chronicle of unconscious prejudices faced at an Ivy League Institution with the always hanging question, “Do You Belong Here?” Co-Directors John Antonio James and Bill Mack offer an honourable perspective about New Haven.
Recently, I noticed more filmmakers focusing on the plight of women in the Middle East. Once upon Beirut was called The Paris of the Middle East. A once prosperous city with a freewheeling spirit population made up of diverse groups. Now, the Mediterranean capital struggles with corruption, simmering conflict and citizens looking for an escape hatch. All if these elements come together in Mira Shaib’s first film Arze describes itself as a comedy drama of titular character Aze trying to stay afloat with a teenage son and an emotional challenged sister while dreaming of a way to earn more money by buying a scooter. The irony of making life easier turns into a nightmare when the moped is stolen. What follows is a tale of urban frustration rooted in survival.
How do you make a touching film short about hair lice? Hindu director Vindhya Gupta’s eloquently shot Lice shows the answer. The story of a blossoming friendship coming to life under ticklish circumstances.
All films were reviewed online. The Tribeca Film Festival runs until June 16th.