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Is the Course Change Working?

What happens when a course change may fail before the actual implementation? The 75th edition of the Berlinale could soon become a case study answering this question.   Less than two months before the German Capital hosts filmmakers, headlines rolling out have painted an unflattering portrait of the Potsdamer Platz headquarters.   Head Tricia Tuttle makes her debut February as the first female head of the international film hub.  Although, reading recent Berlinale news coverage, the American may want to take cover in a dark movie theater in order to forget all the troubles.  

Berlinale

Budget cuts, lack of screens, controversial past winners have taken a toll on the Berlinale’s reputation in the global filmmaker community.  Global filmmakers may skip Berlin, weary of being labeled antisemitic because of their stance on the Middle East conflict.  Instead of celebrating cinema, captions reading “a balancing tightrope”, “unwanted fears”, “revising the budget every month” are overshadowing a cinematic event trying to regain competitive footing with Cannes and Venice Festivals. 

As for the movies announced so far, the schedule comes as torpid, local, lacking big draws, a zero-sum excitement level.  The Competition category announcement occurs on January 21st. Perhaps then, the Berlinale can regain some it’s lost luster.

The Berlinale starts February 13th.

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The Courage of Speaking Out

Croat Director Nebojša Slijepčević lifter a page from a tragic event in his region’s history for the the short film “The Man Who Could Not Remain Silent“. The story of a train ride that turned into courage and loss during The 90’s Balkan War. This Chat Cinema Podcast talks to the Cannes Film Festival Palm d’ Or winner about the circumstances and speaking out in the face of brutality.

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Choice or Opportunity talk on Chat Cinema

Director Wes Andre Goodrich talks about his short film MEAL TICKET on this episode of Chat Cinema Podcast. The work centers on a story of a choice and an opportunity. The up and coming Brooklyn based filmmaker’s delves into the conscience of a person taking a step upward, but at what price?

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Choices in Their Works

Chat Cinema interviews Award Winning Directors, talking about their short films and future work. Cannes Film Festival Golden Palm Winner The Man Who Could Not Remain Silent from filmmaker Nebojsa Slijpcevic and Meal Ticket by Wes Andre Goodrich are works concerning choices. Stay Tuned for the new episodes.

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An Out Of Sync Gladiator 2

Ridley Scott’s 2000 Best Picture directorial work Gladiator was a seminal moment in 21st century cinema.  Oscar winner Russel Crowe’s broody Maximus made an impression on filmgoers.   Gladiator 2 arrived in cinemas this week.  It is best to leave well enough alone. This come twenty-four years later sequel is an out of sync spectacle.

Paul Mescal has some big sandals to fill as Lucius, the less brutal, more pondering vengeful son of Maximus. Not lacking in the spirit of role but lacking the grit, the Irish actor looked as if he was learned how to swim without an instructor for the first time. 

Gladiator 2
Denzel Washington as Macrinus

Denzel Washington as the scheming Macrinus was relishing his role at times the twice Academy Award earner overshadowed a cast that came off as having taken a high dosage of Xanax.

The Wikipedia referenced script has the usual assortment of Roman Empire intrigue for the civic crown.  I, Claudius captured these characters better.

Scott plays well with the visual, too bad the whole Gladiator 2 was just a lot of humdrum separate parts.

2.5/5 stars.

Gladiator 2 is in European Cinemas.  Running Time: 2 hours 28 mins.

Release Date in the US on November 22nd.

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A Talent Boxed In

Luther: Never Too Much is the story of performer Luther Vandross. The crooner who was “Too Black”, “Too Big” got boxed in by the music business. The color codes of the industry meant the New York born native never gained wide stream acceptance, i.e. the White Audiences embrace. After stints on Sesame Street then music arranging for super star David Bowie, Luther embarked on a R&B solo career. However his success in a “defined” Black American genre came at a price. The eight Grammy Winner’s record label refused to allow him to cross over, despite working with mainstream artists Diana Ross, Donna Summer and Bette Midler.

Director Dawn Porter’s soft touch balances presentation with a touch of grievance. “Life is a perfect line of ironies” goes the expression.

Luther Vandross passed away in 2005.

Luther: Never Too Much is in cinemas and available on MAX.

Luther: Never Too Much was screened at the 2024 Tribeca Film Festival.

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The Season is Here

Awards Season has started, so has our screening of films that could get nominated for a trophy. Look for news, interviews and reviews here.

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Lebanon’s Foreign Film Pick

Mira Shaib’s Arze has been chosen as Lebanon’s entry for the Academy Award for Best International Film. The story of a single mother keeping her family above water with a home pastry business.  Ambition can be a bad counselor.  After buying a scooter for business expansion, Arze finds herself on a quest through Beirut trying to recover the stolen minibike. 

Arze

Screened at the 2024 Tribeca Film Festival, Arze delves into a dysfunctional world where tribalism rules. Mira tackles the subject with an underdone urgency.

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Halloween Watch

Do you need a few films to watch this Halloween? These are titles we recommend for night at home with popcorn.

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Reviving the Berlinale

The Berlinale is a few months away, however the press tour has already started.  New head Tricia Tuttle held a meet and greet for local press discussing the plans for making the city’s biggest cinema event more relevant.  The American born said “she wanted to bring back enthusiasm to the Berlinale.”   Was this a polite snub to previous heads Carlo Chatrian and Dieter Kosslick?  It has been no secret Berlin has lost its luster over the years with filmmakers and other professionals.  Europe’s third biggest film festival fell far behind Cannes and Venice.  The American gatherings, Sundance and SXSW aim for youth over politics. 

Berlinale
Sony Center at Potsdamer Platz

Tricia has her hands full, the first female while being fourth head in six years. A newbie in a city with many cultural and structural differences. Former East, former West attitudes make a peculiar tasting soup when combined in a pot.  Chatrian got pushed out by backroom forces.  The former London Film Festival head took over after many disagreements over the direction of festival. Where does the Berlinale stand in the circuit? Commercial? Politics? Mainstream? European Arthouse?  Tuttle wants to attract younger audiences with a new social media plan along with cheaper tickets for students. That plan looks good on paper; however, a film festival is about films. A Deadpool or Dune sequel would get the under 30 crowd attention, not typical Berlinale Palace fare.

Festivals are not just gatherings, but places to discuss cinema. The organisation’s press room is more a sterile inoculation clinic than a conversational space. The 300 or so titles running in the different sections are not fully curated forcing attendees to ask each other for recommendations. Sadly, as Potsdamer Platz no longer functions as a central point, chit chatting is difficult. One film unrolls in Friedrichshain, then seven km to Charlottenburg for another, shoes, patients and luck will be needed.  Hopefully, the Berlinale will find a new physical center. And sadly, there are still no midnight screenings. 

Good Luck Ms. Tuttle. Restoring a reputation is hard work.

Will we attend the 75th Berlinale February 3rd after the 2018 banning? We will apply and see.