While going around taking images of Berlin in stand still I remembered the 1959 film “The World, The Flesh, and The Devil”. A 1959 starring Harry Belafonte roaming an empty post apocalyptic New York City landscape. While the German Capital is not quite in that setting the urban atmosphere has an eerie feel. As if waiting for something to happen or not to happen. How long can this last? The “New Normal” is unreal.
Department stores are ingrained the fabrics of cities. Cultural temples of consumption, meeting places to see and be seen. Before World War 2 Berlin had many grand showcases of prosperity lining its big streets and plazas. The sole survivor still in existence today is the KaDeWe on Tauentzienstrasse. Damaged by Allied bombings in 1943 the building closed until its reopening of its first two floors in 1950. Today, owned by Central Group, the giant store boasts over 60.000 square meters covering seven floors.
The latest renovation of the retail store giant is taking place over a staged periods. Phase 2 opened in this week, the ground floor, fifth floor, and sixth floor.
First, the ground floor, a narrow funneling traffic approach layout between the LV and Dior concessions. Not the most welcoming or pleasant interior, first impressions. I had feeling of running through a luxury Pac Man game. The funnel or entry track ends in a very cramped make up department at the foot of escalators.
The second renovated floor, house wares department, falls short of imagination with many new brands “just” on display, lacking an engaging effect.
A social meeting place, a hangout, shop for those special items only found in one spot in the city. KaDeWe’s food floor is as much a part of Berlin as the Brandenburg Gate, a reference point. The sixth floor mixed groceries bakeries, mixed cuisine restaurants, and cafes side by side, a local meeting place in many forms.
The remodelled phase one opened in December 2018. The completed second phase recently opened. Half thought out, awkward, lacking warmth comes to my mind. Out with the old footprint, in with the new. In my opinion, the old was better, special, more charm.
The atmospheric lighting is jarring, sterile. A remodelling blueprint exists, perhaps a bit of a rethink is needed. There is no overall look. New restaurant stalls just plopped in the middle of the floor layout. Tables randomly placed along low glass wall
Reinventing the 21st customer experience is crucial for retailers. Certainly the KaDeWe is moving ahead, but the direction is the question.
The KaDeWe Grand Opening Event was a crowd pleaser. An all expense gala with over 1800 guests sampling the newly opened restaurants.
Kadewe Phase 3 opens in December 2020
Austrian brand Alpha Tauri is now on sale in the Berlin department store KaDeWe. The Red Bull owned label is new on the fashion block. The team introduced me to the brand at Press Days last fall. The collection is based on premium outer and athletic leisurewear made in Europe. Emphasizing high tech materials and 3-D printing production techniques are the core approach.
Design wise I would say the pieces combine the masculine with the minimal.
“It is not enough for a film festival to be righteous. The films shown should be engaging.” I did not attend the Berlinale this year “because of the limited space”. The likely reason, the Chat Cinema podcast I produced criticising the festival. Someone took offence.
Reading over the reviews of the 69thannual event, “the press offices rejection is a cinema lovers protection.” It feels like I did not miss much. More like, saved. I support filmmaking. But when a film festival states “your attendence is not wanted”. I can take a clue. Although, I wanted to see Monos and What She Said.
If a person is going to spend time in a dark cinema, the very least to expect is engagement on a some level, not a sermon with a heavy dose of pretensions. This has been lost on the Berlinale team.
While there were many tributes to Kosslick for helming the festival since 2001, this years Berlinale lacked a well received Competition entry. I spoke to a writer colleague who described a film as “Just Boring!” Why the lack of high powered wattage for the creative heads final walk on the red carpet? But with celebration of Dieter continuing, why notice the many mediocre to average films? Instead, focus on the face saving self-congratulatory events took precedent. The Guardian’s festival review of “hapless” seemed fitting.
I believe women should have more opportunities to direct. Sadly, the film business has not felt this way. But I say, a female helmer can make a Heaven’s Gate like her male counterpart. Being on the political left side of social movements, the Berlinale showcased many women directors. Too bad their films were not up to par.
I asked about fest opener, screened out of Competition, The Kindness of Strangers from Danish director Lone Scherfig. The words used, “Repetitive” and “too long”. The 34 metascore out of 100 says it all. Gender does not make anyone a good filmmaker. Holland’s Mr. Jones, screened in Competition, nodded audience to sleep with its 141 minutes weightiness.
Regardless if the Berlinale denies Chat Cinema/Black and Paper accreditation for 2020. Allow as many Instagram Influencers on the red carpet as possible. This is a festival in a transitional crisis having lost its artistic and commercial way.
Will Carlo Chatrian change course? One can hope, taking pleasure from attending the Berlinale should not be a mortal sin.
Perhaps I will attend the the 70th edition of the Berlinale. If I am not on the blacklist for honesty.
Dealing with bureaucrats with artistic pretensions is a balancing act. On the one hand they crave the hell with life mentality of Fassbinder, the go your own path of a Bowie, the respectability of Nolan mingled with the steady monthly salary of a state tax officer. Nowhere do I see this more than at the Berlinale Film Festival.
After the release of the 2017 petition calling for an overhaul of the film festival I saw many of the artistic and bureaucratic emotions collide. Artist and bureaucrats have thin skin. I experienced as well as witnessed the staffs defensive sensitive side during the press screenings, the shorten opening press conference, then at the festival.
Having attended the festival for many years, I support the annual event and films. The Berlinale mixes mainstream cinema to the quirky to the “I Don’t Get it!”
My criticism of the organization has not been any harder or meaner than the any other site or press outlet. As an attendee, I stated the reality. Real change has to come on all levels if it is to stay relevant on the circuit. As the film world knows, the Berlinale has been beset by criticisms from all sides. Festival Head Kosslick resigns this year. After last year’s fest and more recently during a “Chat Cinema” podcast we restated our opinions. A complete redo needed if the Berlinale can gain footing on the level as Cannes, Venice, and Sundance festivals.
I applied for festival access as press, no response. After a quick call, the reply on the other end, “We will check on it.” Then a declined notice via email. Never a problem in the past, all of a sudden a problem. Should I call a CSI team to solve the case? A small website critical of the fest, suddenly there is no space for attendance, press credentials denied for Black and Paper. I was told the press team is being diligent this year. What was their working method in the past?
After speaking to the press team concerning the declined noticed, they mentioned my YouTube features, it felt like they used it as a homework assignment. The numbers were low and the long videos. The reasoning made no sense: the number of seats limited. A drop in attendance the previous year meant there should be more places in 2019, simple math.
I asked, if the staff is so Internet Savvy why did not they not see the 24 pictorial, written, and video features produced and published about the 2018 Berlinale festival posted on Black and Paper.com. Additionally, there could have been more features had we written about the films not liked. Instead I decided to focus on the films liked.
After sending 10 weblinks from the 2018 coverage, I called the press officer back asking if they wanted more proof. I am so important the response was,” we are discussing it, it will take a few hours to discuss the application.” To be the topic of discussion at a film festival by staff should inflate the ego. Instead it feels sad on this side of petty. Did the Chat Cinema Podcast cause this relationship breakdown? I was smugly told we did not have time to listen to the long cast. I had time to endure screening 40 or so films at the film festival, only a few worth processing at a negative lab.
Can you work for another magazine, was a question from the officer. I responded with a “NO!” This site has been ok for me. I’m listed in the Berlinale data base, receiving emails from the festival.
My advice, put together a good festival that engages, not sermonises. Or develop thick skin.
Waiting a “few hours” from 1 pm until 7:48. I posted on Twitter a Chat Cinema tweet. Finally, 54 minutes later an email sent from the Berlinale press office stated my accreditation declined, again. REALLY! The press team spent 7 hours discussing Black and Paper, an honor in a way, the center of attention of a festival with over 400 films, thousands of attendees and we were singled out. A rejection letter that took an afternoon to write. There is an saying in the American South, “If people are talking about you, you must be relevant.” “But if they tell you not to come, you must be really relevant!”
Black and Paper will not attend the Berlinale 2019 because we stated our opinion. By and large not suffering from FOMO Syndrome.
If you ask film critics a question you will get an response. If you ask film critics for opinions, get the pen and paper ready for this Chat Cinema
We love the Berlinale but feel the time has come for major changes.
This is the space for hundreds of journalists, complete with 6 to 8 charging stations.
Chat Cinema is sponsored by Beyerdynamic.
The Black and Paper interview with fragrance designer Philip Birkholz.
The 69thBerlinale is shaping up. French Academy Award winning actress Juliette Binoche heads the festival jury starting February 7th2019.
Danish director Lone Scherfigs “The Kindness of Strangers” opens the winter cinema event. According to the press film’s release, the ensemble work stars Zoe Kazan and Bill Nighy as a group living in New York. Lone, a Berlinale regular, is known for character driven films. “An Education”, with Carey Mulligan opened to positive reviews with award nominations.
This is the swan song for Berlinale head Dieter Kosslick. After 18 years of greeting cinema goers on the red carpet, he is hanging up his hat. New head Carlo Chatrian takes over the creative reigns in 2020.
Staying to it’s reputation, the Berlinale showcases independent films and filmmakers with outsider perspectives.
The Competition list of films announced:
The Ground Beneath My Feet by Marie Kreutzer
By The Grace of God byFrancis Ozon
I Was Home, But by Angela Schanelec
A Tale of Three Sisters by Ermin Alper
Ghost Town Anthology by Denis Cote
The Golden Glove by Faith Atkin
Stay Tuned for our Chat Cinema Podcast on the 2019 Berlinale.
A #Perfume that is #genderless, unique, & exquisite, Birkholz #Berlin. I got carried away sampling the #fragrances with the Sommelier. Stay Tuned for the story. #beauty #style #womensfashion #Mensfashion #parfume #perfumelovers #parfumista #cosmetics #scentoftheday pic.twitter.com/yRuYQEAtO4
— BlackandPaper (@BlackandPaper1) December 6, 2018
