Categories
Cinema entertainment entertainment news

A Laugh Came From There, REALLY!

A mockumentary from a South African filmmaker seemed a bit of a long shot. Attending a film festivals is about viewing cinema outside of one’s comfort zone. Part of the International Film Festival Rotterdam Return of the Tiger Section, Daryn’s Gym was a curious title with an unusual premise. Surprisingly, the work from director Brett Michael Innes made me laugh. Soldiers lead by an ill prepared leader in a David versus Goliath battle.

Black and Paper interview with Producer Paulo Areal from the International Film Festival Rotterdam.

Normally, South Africa audiences expect serious, heavy subjects. You avoided this narrative, going for comedy. What was the reason?
“During COVID there was just so much heartache and pain. Brett Micheal-Innes, the writer-director producer of the film who is a known creative who deals with Dramatic themes, felt we needed to see a different slice of South Africa, a slice where a bunch of lovable misfits come together to fight for a common cause.”

As the producer, how did you approach this film?
“Daryn’s Gym was conceived, written, and produced over a 6 months period during COVID.

As the producers it was our task to run the first “COVID Safe feature set’ in South Africa. These uncharted waters had many firsts in terms of Social distancing, COVID protocols and regulations. However, these challengers brought the crew and cast together and made the journey a pleasant one.”

iffr at daryn's gym
Clifford Joshua Young as Daryn


Was the audience supposed to feel sorry for Daryn, at times feeling the need to put him out of his misery?
“I don’t think so, even though Daryn was out of his depth regularly, his naivety was part of his charm and makes him endeared to the audiences.”

daryn's gym at IFFR
The Perfect Villain


Were you hands on in regards to casting?
“Brett and I worked closely in the casting process and the final draft of the script was written once the leads had been locked off giving Brett the luxury of crafting the roles for the specific actors.”

Daryn’s Gym was screened at the International Film Festival Rotterdam. Running Time: 1 hour 30 minutes

Check out the Chat Cinema Podcast on our YouTube Channel.

Categories
Cinema podcast

Chat Cinema Talks Living on The Fringe

Chat Cinema talks to award-winning filmmaker Jon Alpert on his film LIFE OF CRIME. Screened at the International Film Festival Rotterdam, the work shows lives on the fringe of American Society.

“Life of Crime” was screened at the International Film Festival Rotterdam.

Categories
Cinema podcast

ON PAUL

 Director Paul Verhoeven made a certain film that has outlived the most savage reviews. Why? A bad film we love.  

Director Paul Verhoeven 

Stay Tuned for the next Chat Cinema Podcast. 

Categories
Cinema podcast

Chat Cinema Stay In

In these times when we are being asked to “Stay Inside” it is important to still have connect with colleagues.  The Chat Cinema gang got together over Skype to have a conversation about films. Our stay home recommendations to watch until the crisis is over.  Some surprises happened over the course of the 4 way digital meet up.      

Bonus films we recommend.

Kristin-Breakfast at Tiffanys

Sofia-Working Girl

Steve-Crimes and Misdemeanors 

Breck-Blazing Saddles 

Please Stay In during this Crisis.  The medical services have there hands full at this time.   We wish everyone to be safe.  

Categories
Fashion

Chat Cinema talks #MeToo

This Chat Cinema Podcast came with a lot of thought. We debated on how to cover the topic. 

The #MeToo Movement has affected every part of the entertainment industry. In light of the revelations, Hollywood is going through a period self reflection.

I worked in the film business. The “casting couch” was very much a part of the process for women and men. The stories of “midnight meetings” were part of the landscape. The history of Hollywood: Studio moguls, executives, directors, and producers dangled parts for “favors”. Actress Heddy Lamar said, “the most famous women in the world were the biggest sluts”.

Steve, Sofia, and Breck discuss the topic that has up ended the industry. 

Use Your Head

Harrvey Weinstein never covered his trail. There was no need because he made money and won awards. Many willingly overlooked his behavior. Guardian Film Reporter Peter Bradshaw referred to him as the “Caligula of Cannes”.

The performers union SAG/AFTRA represents 160.000 performers. Many always looking for work or the big break.  When a once in a life time opportunity knocks on the door, many turn off the thinking button. A chance of a chance of landing a role in a film or televsion show.

Victim shaming is a term used in elite centers like Los Angeles and New York City.  All hotel rooms have one main piece of furniture, the bed. If a late night meeting takes place in a suite, perhaps questions should be asked.  The most obvious is, why this time? In urban culture this is described as a “Booty Call”.  

As a gay man who has been involved in a few late night rendezvous, a “meeting” at the Ritz after 9 pm usually does not involve detailed contract negotiations.  

Female Control 

Rewriting history for the sake of an argument clouds over past female achievements.  Women controlled their cinema destinies.  Mary Pickford co-founded United Artists studio with Chaplin, Douglas, and Griffith. Gloria Swanson briefly produced her own features after leaving Paramount. Claudette Colbert reached the top of the mountain becoming the highest paid performer in the business in 1938 and 1941 with complete control of script, director and leading man casting decisions. Colbert demanded certain close up camera angles from cinematographers. 

While the need for diverse voices is crucial. The heavy doses of sermonizing mixed with A-list  victimhood dilutes the message. Madonna going on television  complaining about career obstacles as a woman came across as humbled shopping spree at Nieman Marcus.  Protesting about fair treatment while walking the Red Carpet wearing $10.000 gowns had an air of day time soap opera self importance.   Am I the only person who missed the point?

Yes! The film community needs to do better. There is hope.  Less Victimology, more substance would be appreciated. 

The writer worked in Hollywood at the bottom of the ladder staring upward.

Categories
Fashion

The Future Is Always Bright

Work is not honest but it pays the Bills because Champagne is not free! So looking forward to sharing all the new features online.

Categories
Cinema

Berlinale-Alternative List

David Mouriquand’s alternative list for the festival.

http://www.exberliner.com/blogs/the-berlinale-blog/the-berlinale-blog_2/

Categories
Cinema

Berlinale 2017 Album

Powered by Canon G9X

Categories
Cinema

Berlinale Day 9

Berlinale Day 9

The final day of screenings, the Romanian film Ana, Mon Amour from previous Golden Bear winner Calin Peter Netzer ran for the press in Competition.  A complicated psychological love story involving, sex and religion.  The narrative structure of the film is complex, flashbacks.  It was noted the film was influenced by Bergman’s Scene from a Marriage. 

Starring Diana Cavallioti and Mircea Postelnicu as a couple with challenges, the director focused on close ups of the actors to move the story along.  There is a lot of nudity along with a strong sex scene, was the sex over the top? The opinions were mixed.

Hugh Jackman, Patrick Stewart, and Director James Mangold arrived at the Berlinale with their new film Logan, another sequel to the Marvel Comics X-Men/Wolverine Series.  The latest franchise installment screened out of competition. The applause level was 4/10.  After a festival of so many heavy films, it was a relief to see a Hollywood Blockbuster film.

Logan marks the end of the series for star Jackman.  He and his team took on a darker tone with the R rated saga with a marked increased level violence and the added ingredient of eleven year old killing machine Laura (Dafne Keen).  This was a controversial topic during the press conference. Mangold defended the violence by saying his film was aimed at adults.

I did not see the film but the press room feedback was mostly positive.

Categories
Cinema

Berlinale Day 7

Berlinale Day 7

Volker Schlöndorff

On the competition front there was the new Volker Schlondorff film Return to Montauk.  I did not see the film but the judging by the level of applause the critical reaction to the film was not so good.  I asked two people, a male and a female.  The male journalist loathed it but the female journalist liked it.   The film is based on a book by Max Frisch concerning lovers who meet then separate with the Max (Berlinale regular guest  Stellan Skarsgard) hoping for another chance. Nina Hoss also stars as Rebecca .

Stay tuned for updates about this film.

Álex de la Iglesia

Screening out of competition was the newest film by Alex de la Iglesia’s The Bar, a dark Spanish comedy starring Maria Casas and Jose Sacristan.  During the press conference Mr. Iglesia mentioned the use of lighting and sets as a narrative tool, finding inspiration from old Hollywood films.  Berlinale press reaction to the film was lukewarm.  I am not a fan of the director’s previous work.  I have a feeling his latest film will not change my mind.

Berlinale Updates:

There are two standouts A Fantastic Woman and The Other Side of Hope.   One could take home the Gold Bear.  Luis Gnecco could get the Actress Award.