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Awards from The Greek Film Festival Berlin

For its tenth edition the Greek Film Festival in Berlin presented thirty-three feature films. This included six international premieres, eighteen German premieres and three Berlin premieres. Following five days, three competitions, special screenings and side events was the award ceremony. The award category prizes were for the main competition, documentaries and short films.

Winners

The winner of the main Emerging Greeks Competition award was Meat by Dimitris Nakos. The three-person jury also gave a motivation for the award. Part of it read, “…a feature debut which kept our attention throughout…” Director Dimitris Nakos was present to pick up the award.

Meat by Dimitris Nakos at The Greek Film Festival Berlin

The same jury also awarded the prize for the Documentary competition. The winner was Tack by Vania Turner. Within the jury motivation it read, “The filmmaker closely follows two victims of sexual abuse in their struggle…” Furthermore, they commended the animated sequences in the courtroom that could not be filmed. The use of silence and subtitles heightened the eerie court atmosphere. Director Vania Turner was also present to receive her award.

Honeymoon by Alki Papastathopoulos won the Short Film award. The film is a serious plea from the transgender community to support inclusion. The jury said, “What could have been a story about victims became a story about heroes.” Lead actress Nassia Sydeta picked up the award for the absent director. A Special Mention was awarded to the short Scorched Earth by Markela Kontaratou. The jury justified how, “…the female gaze turned a simple story of a stay by the sea into a thriller…”

Honeymoon by Alki Papastathopoulos at The Greek Film Festival Berlin

This year’s closing film was Athens Midnight Radio by Renos Haralambidis. An Athens late-night radio producer turns fifty and realizes he’s no longer young. On air he reminisces about his life so far with creeping regret. The solitude feels ghost-like, complimented by the beautifully filmed Athens night. For its German premiere, main actor and director Renos Haralambidis introduced the film. Joining him for the Q&A after the screening were producer Angelos Venetis and main actress Margarita Amarantidi.

Following the closing ceremony, a party was held in Berlin to sign-off on this special tenth edition. In the presence of guests, the festival team cut the commemorative birthday cake.

By Steven Yates   

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Documentary Competition

Aside from the main Emerging Greeks Competition, the festival features other competitions and prizes. The Documentary Competition has six films competing for the prize, just like the main competition. Two featurettes are screening together in one program. First Milk, by Panagiotis Papafragkos, takes a more poetic stance for its expression. Farewell: And Suddenly Memory Began to Remember, by Ada Pitsou, looks at creativity after dementia. The subject here is the renowned Greek psychotherapist Toula Vlachoutsikou.

Stray Bodies by Elina Psykou looks at choices and laws regarding the body and dignity. Abortion, IVF and euthanasia now benefit from the trans-national salvation of the increasingly popular “medical tourism”. The film therefore becomes a medical road trip through Europe. Panellinion, directed by Spyros Mantzavinos and Kostas Antarachas, is set in a central Athens chess coffeehouse. It is also the setting for ghosts, obsession, solitude and madness.

#MeToo

Tack at the The Greek Film Festival Berlin
TACK

Continuing the theme of personal health challenges is Loxy by Thanasis Kafetzis and Dimitris Zahos. Young Loxandra, who has Downs syndrome, signs an acting contract with the National Theater of Greece. In this, she becomes the first disabled person to do so. Leaving her city and everyday life behind, she travels to Athens to fulfill this ambition.

Finally, Tack by Vania Turner, is a documentary on the Olympian who pioneered Greece’s #MeToo movement. Sofia Bekatorou, the 2004 Olympic Gold Medalist for Sailing, was a victim of abuse. In this film she helps a young athlete Amalia through her own ordeal. Amalia is seeking justice for the systematic abuse she endured at the hands of her coach. This happened when she was just eleven-years-old, and with Sofia’s help she has finally come forward.  

The Documentary Jury is the same one as for the main Emerging Greeks Competition. It comprises of: Simone Baumann (Germany), Nikos Smpiliris (Greece) and Dr. Martin Blaney (UK).

To showcase new talent, there is also the Short Films Competition, divided into two screening programs. Complimenting this is a Student Shorts Competition.

The Shorts Jury is: Pierpaolo Festa (Italy), Karen Cifarelli (USA) and Marios Gavrilis (Greece-Germany).      

The award ceremony on 30th March is followed by Athens Midnight Radio, the Closing Film.  

~ By Steven Yates  

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Is the Berlinale Reinventing or Repackaging?

The new Berlinale Poster, released the last week of December shows a new modern style. The number seventy-five features prominent at the right corner.  Ditching film festival Bear artwork is supposed to signal change, breaking from the past, the arrival of a new era, a reinvention of a once significant February cinema event.  But, is the new Berlinale just recycling the old with more colorful packaging?  It takes more than shiny artwork to re-establish confidence in a film festival that has dug itself into a celluloid hole.

Berlinale Poster

After a few conversations with some professional industry colleagues about the upcoming edition, we are starting to have more questions.  What happened to doing something new?  It is no secret the Berlinale fell behind, lacking the grandeur of Cannes, the artistic component of Venice, the hipness of Sundance or the commercial launching heft of SXSW, the space for change, a new way opportunity,is wide open in the German Capital.  Yet, festival head Tricia Tuttle is on a Honey Moon press tour using pleasant Cucumber Salad language on how the festival looks to differentiate itself from the past. However, on closer examination, what changed appears unclear to regular Berlinale goers.  One category eliminated, a new one added, the same past filmmakers with the similar thematic films appear on the schedule, again.

The wait and see game has started.   Hopefully, the newly installed Berlinale team has not wasted precious good will. 

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Choices in Their Works

Chat Cinema interviews Award Winning Directors, talking about their short films and future work. Cannes Film Festival Golden Palm Winner The Man Who Could Not Remain Silent from filmmaker Nebojsa Slijpcevic and Meal Ticket by Wes Andre Goodrich are works concerning choices. Stay Tuned for the new episodes.

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Reviving the Berlinale

The Berlinale is a few months away, however the press tour has already started.  New head Tricia Tuttle held a meet and greet for local press discussing the plans for making the city’s biggest cinema event more relevant.  The American born said “she wanted to bring back enthusiasm to the Berlinale.”   Was this a polite snub to previous heads Carlo Chatrian and Dieter Kosslick?  It has been no secret Berlin has lost its luster over the years with filmmakers and other professionals.  Europe’s third biggest film festival fell far behind Cannes and Venice.  The American gatherings, Sundance and SXSW aim for youth over politics. 

Berlinale
Sony Center at Potsdamer Platz

Tricia has her hands full, the first female while being fourth head in six years. A newbie in a city with many cultural and structural differences. Former East, former West attitudes make a peculiar tasting soup when combined in a pot.  Chatrian got pushed out by backroom forces.  The former London Film Festival head took over after many disagreements over the direction of festival. Where does the Berlinale stand in the circuit? Commercial? Politics? Mainstream? European Arthouse?  Tuttle wants to attract younger audiences with a new social media plan along with cheaper tickets for students. That plan looks good on paper; however, a film festival is about films. A Deadpool or Dune sequel would get the under 30 crowd attention, not typical Berlinale Palace fare.

Festivals are not just gatherings, but places to discuss cinema. The organisation’s press room is more a sterile inoculation clinic than a conversational space. The 300 or so titles running in the different sections are not fully curated forcing attendees to ask each other for recommendations. Sadly, as Potsdamer Platz no longer functions as a central point, chit chatting is difficult. One film unrolls in Friedrichshain, then seven km to Charlottenburg for another, shoes, patients and luck will be needed.  Hopefully, the Berlinale will find a new physical center. And sadly, there are still no midnight screenings. 

Good Luck Ms. Tuttle. Restoring a reputation is hard work.

Will we attend the 75th Berlinale February 3rd after the 2018 banning? We will apply and see. 

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Music and More at Tribeca

Once again on the Tribeca Film Festival platform I screened a movie on a musical artist who got cheated in three categories; historical, financial and recognition.  BAM BAM: The Sister Nancy Story fills in the blanks concerning one of the most sampled musical pieces in history from a ground breaking performer, Jamaican songstress Ophlin Russell, better known as Sister Nancy.

Tribeca Film Festival
BAM BAM:The Sister Nancy Story

The 62 year old recorded a 1982 low budget music track in Jamaica titled “BAM BAM”.  A tune that would travel the world, earning millions, sadly, none for the singer. Director Alison Duke traces the roots of the Reggae beat from inception to Nancy’s new found global appreciation in this up-tempo documentary. 

Tribeca Film Festival
Claude Nobs

The second documentary based on a music subject, They All Came Out To Montreux is a homage to a Jazz Festival and the vision of its unconventional founder Claude Nobs. Using archival footage of stars ranging from Nina Simone, David Bowie to Prince, the film is an inspiring salute not only for melody lovers, but for creatives around the world. 

1980’s Again

Being too hyped can be a curse, just ask a Brat Pack Member.  For a few moments in the 80’s a handful of young actors dominated the entertainment headlines not for their acting work, but as celebrities supposedly living the Hollywood Dream.  Andrew McCarthy’s Brats explores the youth phenomenal.  Did the term hinder careers?  As a member of the “It Click”, McCarthy along with Demi Moore, Emilio Estevez, Ally Sheedy and Rob Lowe talk about the effects and pressures of having a label with a baggage. Thank Goodness there was no St Elmo’s Fire 2.

Are formal balls inspiring? An uplifting a path way to a different life or an out-of-date ritual in need of reinvention?   The Debutantes charts young Black Women’s social coming out in Canton Ohio. The dedication and romanticism do not come easy during the countdown to the big day. There is no mystery about Contessa Gayles’ intentions: dignity, self-esteem and hope. 

The Debutantes

Do Scandinavians have a sense of humor? After watching Eirik Tveiten’s short film of “Camping in Paradise”, Yes! This story of personal fragility braking down in a nudist camp is a cock-a-hoop laugh.

Tribeca Film Festival
Camping in Paradise
Tribeca Film Festival
Learning English

Jean Liu’s short film Learning English used the perfect formula for modern comedy.  The set-up, execution and pay-off should be studied in film schools.  Learning a second language should be pleasurable. 

Ruthless Blade

Blood, revenge and perhaps slightly personal, that is how I would describe Bo Zhang’s animation short Ruthless Blade.  A cat’s tale with fantasies of being a warrior tiger packs some strong renderings.

All films were screened on the Tribeca Film Festival Online Platform.

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Tribeca Fest 24

The 22nd Tribeca Film Festival starts June 5th. With 103 films and 86 premieres this yer looks promising.

Get the news, reviews and interviews here and on the Chat Cinema Podcast.

Tribeca Film Festival
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An Intimate Relationship and a Wall

The Chat Cinema Podcast talks to Director Mike Donahue about his Academy Awards 2023 qualifying short live action film. Mike’s film TROY is the story of an intimate relationship, albeit, one sided through a thin wall. Tea and Charlie live in a New York City apartment next to fellow tenant Troy, a man with a “busy” urban life.

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Panic Attack in Hollywood

What is happening in Hollywood? It was suppose to be easy. The business model was based on acquiring Intellectual Properties, then turn them in media franchises across every platform. Simple. A movie here, a television show there, spin off’s in every directions. Audiences would pay to see their favorite characters in new adventures time and time again.

Apparently the audience did not read the memo. One major release after another has stumbled. The big studios have hit a box office wall of underperforming films or out and out flops. It was not suppose to be this way. It is one thing when a movie disappoints, it’s a panic attack when a eco-system faces collapse.

The Disney and Lucasfilm’s INDIANA JONES and THE DIAL of DESTINY recently opened with a soft $60 million weekend in take. The $300 million production needs to earn over $700 million to break even. That number seems unlikely given the drowsy reviews of the James Mangold film. Harrison Ford’s fifth and last outing as the iconic adventurer seemed set to be a spinoff for a more modern story. Unlikely given Disney could lose as much $500 million on the time traveling saga. Disney head Bob Iger’s having acquired George Lucas’s creations for over $4 billion in 2012 has fans asking what was the point? Four STAR WARS productions each one worse than the other, now the nail in the coffin, a below average Indy movie.

The Other Side of Burbank

The Flash

The other Burbank powerhouse studio, Warner Bros finds itself moving into pray mode. The $200 million dollar THE FLASH struggled to cross the $100 million mark at the US box-office. The CGI heavy DC Comic production did not click with ticket buyers. Given that parent company Warner Discovery is in $50 billion debt, certainly alarm bells are ringing in the head office. After all, colorful tight pajamas were written in as a major revenue asset for the media giant.

It is looking more and more fatigue is taking hold of cinema goers. The lack of originality and pandering works have driven away ticket buyers to screaming on social media about Hollywood’s dismal releases.

Hollywood has learned, again, there is no such thing as a sure thing. Will this make studios change course? Disney announced new STAR WARS films. I would almost rather be on Alderaan watching the Death Star hover than sit through another instalment of the now soul less galactic saga.

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Fashion

2023 Tribeca

We got cleared for the New York’s premier glamour event, Tribeca Festival. 109 films make their debut at the 22nd annual event with features ranging from independent works to Classic Hollywood narratives. Other categories include Documentary, International Narrative and Spotlight Narratives.

For the interviews, news and reviews check back here.

Tribeca 23