Categories
Fashion

Fake It Til,,

FAKE IT!

The age of “fake it til you make it” is upon us. The “Bling Culture” is about of looking rich if you are not. A substitution quick fix as a result of income inequality, lack of access to a better life so people show off. In your face consumption means being humble is old fashion, today it is all about the over the top lifestyle.

Documentary filmmaker Lauren Greenfield tackles modern world values from beauty, gender, and consumerism in her new work Generation Wealth.

The last years of the Roman Empire were decadent. You see in the movie “ I think you have to have a very bad crash in order to wake up” states Greenfield. There is more hope in the movie than in the my book, which feels like we are dancing on the deck of the Titanic but in the film I feel people are waking up, making choices.

“The Kim Kardashian Effect” of middle class women becoming prostitute and porn stars to gain quick access to money is now acceptable. In one generation what was once considered “bad taste” can be considered “good taste”. The value of hard work is lost.

A question I asked at the interview

Film Director and Photographer Lauren Greenfield at the Berlinale

How do you balance being a critic and being a participant?

My work has come from this place. I studied visual anthropology at Harvard. I have always thrived and able to do my work being on this line as an outsider and insider, working for “W” and “Harpers Bazaar”. I lived in the eye of the storm. Working for these publications gave me access.

Being from a Middle class family but I sometimes desired what the rich LA kids had, even thought I had all that I needed. It made me introspective about the source of the desire. My subjects in the film are like this.

In the film, the 13 year, Adam, his family rented the The Whiskey A GO GO on Sunset Blvd with go go girls for his party. They spent $50.000. He says, “you have to spend this money or you are S*it out of luck!” Then he says “money ruins kids”. He has that insight but is a part of the process.

This is not a story of evil rich people but a story of how all of us are a part of this complicity, the aspiration. Materialism, wealth, theses are ingredients of the modern dream. While watching I had a sad realization. I recognized a lot behavior traits but I know none of the people on screen.

Generation Wealth is well produced, at times, a sad reflection of who or what we are desperately grabbing for the trappings of splendor. There are no new questions raised in the documentary because the same ones have been around since Reagan’s Neo Liberal agenda. What Greenfield shows are the effects of a doctrine based on having it all.  Are we willing participants, witnesses? When do the effects of the drug end?  While not thought provoking, it makes you think.

Generation Wealth was screened in the Panorama Section at the Berlinale in February 2018.

Check selected local cinemas for the Amazon Studios release.

Sponsored by Canon Camera and Pringle of Scotland.

Categories
Fashion

What Comes Around

A Black and Paper interview with director Reem Saleh. The filmmaker’s documentary “What Comes Around” is a glimpse into the lives of people residing in a poor area of Cairo, Egypt neighborhood.

What Comes Around avoided Western Stereotypes of People lives in the region. There were human factors, not the 2 dimension images shown on regular television.

I am happy you saw this human factor in my film, not stereotypes. The Middle East is huge. There is everything. Stereotypes do not reflect the society. The Egyptian neighborhood is Muslim, but religion does not play a role in the film. It is a film about the struggles of life.

Can I say the subjects of the film seemed to suffer from a “Poverty of Decisions Making”?

Actually No! They did what they felt. They were happy they managed to buy a motorcycle, (for the son) so they wanted to sacrifice a rabbit because this removes the “evil eye” and paying for the two weddings.

You may think it is poor decision making or a waste of money but personally I think there is nothing wrong with this. It made them feel good.

You did not judge the characters, it was presentational, true?

Yes, it is true. I followed them and their lives. There is no right or wrong. I wanted the audience to see it without being judgmental.

Are the subjects of the film trapped or doomed to their fates?

I wouldn’t say “trapped” but perhaps in a vicious circle. They are in their comfort zones, contentment. Few start climbing further. I hope this films opens the horizons for them to do things differently.

What is your background?

I am passionate about film. I studied cinema in Lebanon at the American University. I worked in TV and did some acting. I worked for the Doha Film Institute as a film programmer. I started working on this documentary in 2010. I shot over 200 hours of footage, post production took a year.

WHAT COMES AROUND was screened at the 68th Berlinale in the Panorama Section.

This interview is part of the Black and Paper #thisberlinale18 project, sponsored by Canon Camera and Pringle of Scotland.

Categories
Cinema

The Sunset Inspirational Festival

Black and Paper exclusive interview with Evolution Mallorca International Film Festival Creative Director Sandra Seeling.

Would you say filmgoers are looking for different stories and narratives? 

Festival Entry Even Lovers

In my experience as a festival programmer, filmgoers want to be surprised and inspired. They want to be taken out of their daily routines and experience new adventures and new point of views.

As a woman, why do you think there are so many challenges for women to direct films?

Women do not get the same opportunities as men. As a woman, we are instantly thought of as less capable, emotional and not as efficient. Unfortunately those attributes are deeply imbedded into the male think pattern (not only in the film industry) and make it harder for women to even get the chance to prove themselves. The challenge also lies in the century long history of the film industry. We as women have to simply keep pushing forward, to do an exceptional job, stand together, and support each other.

Producer, Director, Writer Paul Higgis

Why did you choose Paul Haggis this year as an honoree?

Paul is an incredible social justice advocate and his vision fits really well with EMIFF’s mission; BRIDGING CULTURES – BRIDGING PEOPLE. His work as a filmmaker and humanitarian makes him the perfect recipient for the Evolution Vision award, an award given to a filmmaker with an active vision to encourage unity and peace on our planet.

Isabelle Huppert is one of the greatest actresses of modern screen; her latest film has been submitted for the Academy Award for Foreign Film but “Barrage” seems dark for a festival on an idyllic island.  Why did you decide to screen this film?

“Barrage” tells the story of three generations of women. Isabelle plays Elisabeth who is raising her granddaughter while her own daughter Cathrine is busy exploring the world. When Cathrine returns, she kidnaps her daughter from her mother and the story takes a dark turn into very emotional territory. I love the way director Laura Schroeder tells this fragile story of three women, all different ages but connected by the simple fact that they are family. They mirror each other, at the end of the day they are more similar than they like to admit. EMIFF wants to promote young new filmmakers who have a unique vision. Laura’s work in “Barrage” is all that and more.

How do you envision the festival in five years? 

An inspiring Mallorca Sunset

In five years I see EMIFF as a year long event with Evolution LAB’s (Workshops and conventions) in the summer and a solid festival in the fall. I want the festival to be known as “The Mediterranean Sundance” and want everyone to know our mission is “Bridging Cultures, Bridging People”. I hope to continue to grow our audience and attract more international filmmakers to come and enjoy our island, inspiring films and great networking.

You meet filmmakers from all over the world.  What is your opinion on the general state of global cinema? 

My sense is that the world is our playground. Globalization creates endless possibilities for filmmakers to connect, interact and create together even when being on different continents. On the other hand, I think filmmakers still appreciate nothing more than a real face to face conversation, round table or discussion panel or Q&A. Connecting virtually is a great possibility but real connections is what sparks new ideas and fuels new stories and films.

Festival Head Sandra Seeling

Sandra Seeling is the founder and director of the Evolution Mallorca International Film Festival in Palma de Mallorca, Spain.  She is an actress, director, and producer.

 

 

The 6th  annual The Evolution Mallorca International Film Festival starts on October 26 until November 4th.  For more information go to: http://www.evolutionfilmfestival.com/

 

Categories
Cinema

Berlinale 2017 Album

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Categories
Cinema

Berlinale

Berlinale

The 67th Berlinale opened with some political questions on the agenda but Jury President Paul Verhoeven stating he was here to judge the quality of the movie, not the political perspective. Mr. Verhoeven said he expects to see a lot of movies that are different and have heated arguments with respect.

Jury member Diego Luna addressed the current global political tones by saying, “I am not here to send messages but I am here to listen.”  When asked about the proposed wall between the US and Mexico Luna commented, I have good memories crossing the border from both sides.

As a film festival Berlinale has always had a political edge but this year the jury seemed more pragmatic, less overtly ideological.

Berlinale makes an effort not to be taken over by market forces said fellow jury member Olafur Eliasson.

Addressing the issues concerning the state of Hollywood and the lack of Adult Movies, the bottom line mentality has taken control of the industry.  Studios and Producers only want to invest in films with big returns.  Film Director (Total Recall, Elle, and Robo Cop) Verhoven discussed the challenges of trying to get his latest film Elle produced.

Berlinale Jury: Paul Verhoeven, Dora Bouchoucha Fourati, Olafur Eliasson, Maggie Gyllenhaal, Julia Jentsch, Diego Luna, and Wang Quan’an

Berlinale continues until February 20th.

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