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Cinema entertainment news

McKellen’s Critic

The Critic: Strong performance from McKellen  

Finally released in German cinemas, The Critic stars renowned stage and screen actor Sir Ian McKellen. It is London, 1934, and McKellen is an infamous theatre critic called Jimmy Erskine. For fifty years Erskine has written biting theatrical reviews for respected national newspaper The Daily Chronicle. When the newspaper proprietor dies, his son David Brooke (Mark Strong) takes charge. However, Brooke wants to implement immediate changes to compete with its rival The Daily Mail. He also advises Erskine to tone down his writing style, and public proclivities.

Ian McKellen  in The Critic

Meanwhile, struggling theatre actress Nina Land (Gemma Arterton) also admires Erskine’s work. Therefore, she is upset by his cruel reviews of her performances, and this also infuriates Brooke. When Erskine is arrested for drunken and lewd behavior, the editor issues him a final warning. This will soon culminate in Brooke ending Erskine’s contract with one month’s notice.  

Needing to save his job, Erskine watches Nina’s performance in Shakespeare’s Twelfth Night. Brooke is also in the audience and Erskine notices him emotionally moved.  Therefore he writes Nina the glowing review she has always wished for. However, this praise for Nina will come at a cost. In return, she must do him a favor and seduce the already besotted Chronicle editor.

The Critic is McKellen’s film, he almost singlehandedly saves it from oblivion. Although Arterton and Strong give excellent supporting performances, no other characters are foregrounded or resonate. Patrick Marber’s previous scripts for Closer (2004) and Notes on a Scandal (2006) had tangible sensitivity. However, in The Critic witticisms take precedent over progressive characterization.

Anand Tucker is multi-talented and experienced in all aspects of film production. Here, however, the effect is counter-productive. There is no conspicuous director imprint and so the trajectory becomes jarring. Indeed, The Critic premiered at Toronto IFF in September 2023 to mixed reviews. It was considered that the dark ending was unpopular with the audience. Therefore, the film’s distributor requested re-shoots. The September 2024 general release had a new cut and a new ending. 

By Steven Yates

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Book Review entertainment news

Berlinale Report

From the Anamorphic Club Cafe at the Berlinale, a Chat Cinema report on festival news.

Cafe at the Anamorphic Cafe

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Cinema

Tribeca 2022

The biggest New York based film festival starts tomorrow. Tribeca unspools for ten days of filmmakers showcasing long and short works.

Tribeca Festival
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Cinema Interview

An Island is the World

I screened THE ISLAND for the International Film Festival Rotterdam. The description of the animated feature read “Non traditional storytelling”. I have to agree. Romanian filmmaker Anca Damian made a film with some outlandish scenes combined modern commentary.

A Black and Paper interview with Director Anca Damian.

What is the human condition of the story?

The film aims to go into depth of humanity: we are all on an island, even if it is a planet- is an island in the Universe – we are all reflecting into each other, we are searching for Paradise, we are all alone… So obviously we are somehow facing a kind of dead end to our civilization, so we have to search our human values, our connections to nature, in order to continue to be.

The Island

How did you you come up with the animation style?

I wanted the reality of the film to be immersive, so the space was developed in 3D, with added fluid elements developed in Houdini – the sea, the clouds. The concept was that everything that is man-made doesn’t integrate in the nature, so we have real textures for plastic, metal, fabric. The same texturing we applied also for the cloth of the characters that are in 2D.

In my concept, only what is made by nature remains painted.

Color wise everything is beautiful, like in a Hawaii holiday, but there is also some malaise, a sick feeling behind the chemical pink of the clouds and the green-blue of the sea.

Were you a fan of Robinson Crusoe?

I can’t say I am a fan of Robinson Crusoe; I am a fan of humankind; Exploring Robinson and Friday connection in a setup of nowadays, allowed me to explore a version of Robinson who has the best of intentions, but who is saving who, that’s another story.

The language of the film was playful, then dashing, did I get this right?

Yes, you got it right: the child in us is paying and telling the truth, I always listen to the child me, and keep him close. I wanted the audience will do the same, go in playful way straight forward to the so much needed truth.

The Island screens in The Big Screen Competition of the International Film Festival Rotterdam 2022.