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Tribeca Fest 24

The Hollywood Strikes hit the entertainment industry in 2023.  Work stoppages caused disruptions along the chain from Hollywood to independent cinema.  The film festival circuit did escape the five-month long actors and writer’s dispute.   As I cover the Tribeca Film Festival there is a marked difference in the level of entrants. A number of foreign filmmakers along with titles from female directors made the cut this year.  The New York City film event unveiled 114 narrative and documentary titles. 

In Sexual Demand

Hot masculine top, athletic body, how hard would it be for a guy with this description on his profile to hook-up on Grindr?   Nicolas Finegan’s Some Kind of Paradise short film handles the challenges of a Gay Life based on isolation, fast food sex and the ins and outs of emotional intimacy.  John Brodsky makes a subtle impression of a sexually in demand man boxed in, suddenly tapping into awakening feelings.

Black Table
Black Table

Since the fall of Jim Crow, African Americans have made inroads to higher education, however not without challenges. Recent headlines of the US Supreme Court tossing College Admission Affirmative Action Programs are the latest struggles. For People of Color, navigating certain spaces can be tricky, a balancing act of fitting in, yet trying to retain identity.  Black Table, is the story not just about race but of social economic class attending Yale University in the 1990’s. The film is a soft chronicle of unconscious prejudices faced at an Ivy League Institution with the always hanging question, “Do You Belong Here?” Co-Directors John Antonio James and Bill Mack offer an honourable perspective about New Haven. 

Survival

Recently, I noticed more filmmakers focusing on the plight of women in the Middle East. Once upon Beirut was called The Paris of the Middle East.  A once prosperous city with a freewheeling spirit population made up of diverse groups.  Now, the Mediterranean capital struggles with corruption, simmering conflict and citizens looking for an escape hatch.  All if these elements come together in Mira Shaib’s first film Arze describes itself as a comedy drama of titular character Aze trying to stay afloat with a teenage son and an emotional challenged sister while dreaming of a way to earn more money by buying a scooter. The irony of making life easier turns into a nightmare when the moped is stolen.  What follows is a tale of urban frustration rooted in survival.

Arze at Tribeca Film Festival
Arze

How do you make a touching film short about hair lice? Hindu director Vindhya Gupta’s eloquently shot Lice shows the answer.  The story of a blossoming friendship coming to life under ticklish circumstances. 

Lice

All films were reviewed online. The Tribeca Film Festival runs until June 16th.

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Is the Cannes Film Festival soft this year?

The 77th edition of the Cannes Film Festival is coming across a bit soft this year. After Hollywood’s writers and actors strike, the South of France cinema gathering has the star power but not the potent zest. Many of the anticipated titles from industry heavy weights Coppola and Costner came up short with critics.

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A Punch from Chile

Fast Review-Fernando Guzzoni’s Blanquita hits the a viewer a with punch to the face. After viewing the Chilean Oscar entry on the country’s child sex traffic scandal I needed a moment. The Venice Film Festival winner is now playing in New York City and Los Angeles. 4 maybe 4.5 stars out of 5.

Running Time 98 minutes, An Outsider Pictures release.

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The Oscar Race For Short Films in 2022

Presenting varied International Short films that are Oscar eligible. The standard of these films are original and mostly excellent.

Starting with Tech to the Future by Sandro Monetti, not surprisingly, it is something otherworldly. The only non-fiction film here, the mood is like a news item straight out of Robocop. On-screen narrator Francis Hellyer proclaims that technology will lead us to a brighter future. His defiant sound bite: “Forget all the dystopian doom and gloom.” Subsequently, he visits various innovative tech industries. These range from a flying car development to AI digital replicas – a cloned Bruce Willis anyone?

Nakam from Ukraine is based on a true story in World War Two. It cultivates a good use of period setting, atmosphere and mise-en-scene. Ultimately it seems to question the circumstances and morality of killing, regardless of justified conviction.

The Bangladesh entry Moshari (a Mosquito net) hauntingly builds up suspense and tension well. This is achieved by allowing the psychology and paranoia its own freedom of projection. Most importantly, it pulls back from the border of implausibilities. These mature qualities serve the denouement well.

Meanwhile, The Silent Echo is a bitter-sweet snapshot of aspirations to escape remote life. A young Nepali singer travels by long-distance bus for a music talent contest. However, his performance does not get the response he hoped for. His dedicated efforts in vain, he travels back home, to the beginning again. Silent Echo won London’s Raindance Film Festival Shorts in 2021.

The Tommaso Acquarone-directed I miei occhi (My Eyes) concerns a woman caught up in traffic. Speaking on her mobile phone, she is already containing private tension. Soon, she offers a lift to a street performer she has seen before. The rest of the film promises greater suspense but ultimately reaches a juncture. Therefore, a good idea gets stuck in a dead end.

A wayward teenager in The Wake is frustrated by his live-wire father and passive mother. Accompanied by his deaf younger brother he seeks an outlet for his emotions. Breaking into houses and stealing token items he dubiously achieves this aim. However, an inexorable trajectory occurs after he finds a gun in a local house. The somewhat unexpected ending rounds off an original take on the suspense drama.

Finally, War of Colors is a heartfelt plea for sympathy for those born with the albino condition. A pretty, intelligent, and sensitive young woman finds discrimination even within her own race. Her brave and disheartening struggle for acceptance is both compelling and thought-provoking. Diandra Forrest excels as the central character in this another worthy Oscar short contender.

~ By Steven Yates entertainment contributor.

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More Shorts from New York

Tribeca Enterprises was founded in New York in 2001 by Jane Rosenthal and Robert De Niro. Its accompanying Tribeca Film Festival has since been promoting emerging film talent. Sections include: Premieres, Gala Events, US Competition, Online Premieres, and International Competition. Furthermore, the Shorts section includes Narrative, Documentary and Animations, and this year comprised 53 entries.

Chicken at Tribeca Film Festival
Chicken

The World Premiere of Chicken concerns a 16-year-old boy serving time in a Bronx juvenile prison. Faced with losing custody of his child, he discovers fatherly duties through raising a chicken. Director Josh Leong’s film is very engaging, well-acted, and with feature-film potential. It also highlighted a perhaps overlooked subject of the lives of juveniles in prison.

Another World Premiere, also set in New York, was Fraud, directed by Zen Pace. A transsexual rock singer is searching for her place in the world and companionship. She also has a parallel existence committing petty credit card fraud. But when her latest subject makes a surprising offer, she reconsiders her life. Fraud emerges as a deceptively profound drama.

The Letter Men, directed by Andy Vallentine, was also a World Premiere at Tribeca. Continuing the LGBTI theme, it is based on real love letters from WWII. This untold story is of two gay men torn apart both by war and the law.

LetterMen at Tribeca
LetterMen

The UK entry Pragma, by Ellie Heydon, also had its International Premiere at fest. This perhaps prophetic film concerns a first School for Relationships. Willow’s dilemma is whether to trust science or her heart.

Pragma at Tribeca Film Festival
Pragma

There is certainly originality in the premise and a twist in the plot. However, the futuristic approach to love and romance is clinical and ultimately suspect here.

Another UK film receiving its North American Premiere was Fireworks, by Paul Franklin. Set in an MI6 Ops Room, this tense thriller uses Virtual Production technology well. The characterization has potential, but the petty squabbling (and expletives) is a little overdone. This reduces Fireworks to soap opera level, implausible for an institution like MI6.

Mohammed Saffouri’s US-Jordan production Touchline also received its North American Premiere. During the 1948 occupation of Palestine, 17-year-old Ahmad is chosen to represent the national football team. However, the Israel conflict means his family have to leave their home, his dreams shattered. A touching and poignant period film, it is just as relevant today.

The UK-Nigeria produced Point and Kill is Smuggler director Ebeneza Blanche’s music video. It portrays Brit Award Winner Little Simz exploring her Nigerian roots. A representation of proud heritage and customs make the effect very authentic. The video, also having its New York Debut, features fellow Nigerian singer Obongjayar.

Alison Roberto’s satirical horror Girls Night In is another New York Premiere. However, the award-winning Director and Creative Director seems to have fallen short here. Based on the Bechdel test, two friends have to deal with a crazed intruder. With allusions to films like the Scream series, the tension ultimately becomes nauseating.

Tribeca Film Festival was held from June 8th to June 19th 2022 in New York City.

~ By Steven Yates

Check out the Chat Cinema Podcast on our YouTube Channel.

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Tribeca 2022

The biggest New York based film festival starts tomorrow. Tribeca unspools for ten days of filmmakers showcasing long and short works.

Tribeca Festival
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The Shooting Stars 21

This year I rejoined the press junket for the European Film Promotion’s European Shooting Stars Program, virtual of course. The initiative serves as a platform to promote and showcase European Talent on the global stage. Since 1998 many famous faces have passed through the door moving on to becoming recognized performers in the entertainment industry. Daniel Craig, Carey Mulligan, Michaela Coel and 1917 star George McCay are a few examples of the talents who leaped to fame after their EFP debuts.

This year casting directors and filmmakers chose 10 European talents:

Abrecht Stork from Germany, Fionn O’Shea from Ireland, Natasa Stork from Hungary, Nicolas Maury from France, Alba Baptista from Portugal and Sara Klimoska from North Macedonia and Gustav Lindh from Sweden.

For 2021 I interviewed Martijn Lakemeier from The Netherlands, Seidi Haarla from Finland and Zygimante Elena Jakstaite of Lithuania. Normally there is face to face time but for 2021, we had one on one Zoom conferences. Hopefully, in June the live ceremony will take place in Berlin. I have my fingers crossed.

It is always inspiring to be one of the first to interview a raising media figure. I like saying “I interviewed him or her when they started”.

Congratulations to all the winners. Well deserved. I look forward to seeing them on the screen.

Stay tuned for the one on one interviews on the Chat Cinema Podcasts.

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Chat Cinema talks Shogen

From the International Film Festival Rotterdam an interview with Actor Shogun on his unsympathetic role in Sexual Drive. How did he feel about Ramen Noodles? Click below to find out.

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Is it worth a trip to the Cryptozoo?

I got a screener link straight from 2021 Sundance Film Festival. A nice surprise these days during a never ending lockdown to know filmmakers are still working. For some reason I did not receive the press release for Cryptozoa. The short description read “cryptozookeppers struggle to capture a baku,,, or should mystical creatures be displayed at a zoo or hidden”. An unusual premise to take in on first reading. The animated feature by Dash Shaw also came with a not so familiar but intriguing looking poster of characters standing in front of an entrance gate. Initial research on IMD found the film garnered nice reviews at the Utah Fest. 

Creatures and more

Taking the plunge, I clicked the link for the 90 minute film. Certainly after the first few minutes, Pixar was out the window. Dash decided to set himself apart. The director’s world is filled with well known and not so well known mystical creatures. Lauren and Joan have charged themselves with the task of finding all the crypts for safe keeping in a Zoo type amusement park. Also on the trail is Nick with the duty of securing the beings for military use.

The premise has a core moral message inside a story that gets tangled up with so much happening at once. However, the constant bombardment at times feels as though Mr. Shaw decided on the heavy handed approach to compensate for some short comings in his story telling ability. There was a not a single laugh in the Dash’s second feature film. Why the heavy dose of cynicism?

Cryptozoo offers some stunning visual renderings for the viewer. Taking a chance to challenge viewers on the definition of animation still does not compensate for a script that needed a smoother impetus.

3 stars out of 5. 

Running Time of 90 minutes

Premiered at the Sundance Film Festival from The Match Factory

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REVENGE

A preview if the short film The Women’s Revenge. Stay tuned for the Chat Cinema podcast from the IFFR.