Tribeca Film Festival starts on June 4th with an opening on music superstar Billy Joel. Directors Jessica Levin and Susan Lacy’s Billy Joel: And So It Goes charts the life of the New York City born singer.
The 23rd Tribeca Film Festival starts June 4th until June 15th from New York City. Stay tuned for our coverage.
For its tenth edition the Greek Film Festival in Berlin presented thirty-three feature films. This included six international premieres, eighteen German premieres and three Berlin premieres. Following five days, three competitions, special screenings and side events was the award ceremony. The award category prizes were for the main competition, documentaries and short films.
The winner of the main Emerging Greeks Competition award was Meat by Dimitris Nakos. The three-person jury also gave a motivation for the award. Part of it read, “…a feature debut which kept our attention throughout…” Director Dimitris Nakos was present to pick up the award.
The same jury also awarded the prize for the Documentary competition. The winner was Tack by Vania Turner. Within the jury motivation it read, “The filmmaker closely follows two victims of sexual abuse in their struggle…” Furthermore, they commended the animated sequences in the courtroom that could not be filmed. The use of silence and subtitles heightened the eerie court atmosphere. Director Vania Turner was also present to receive her award.
Honeymoon by Alki Papastathopoulos won the Short Film award. The film is a serious plea from the transgender community to support inclusion. The jury said, “What could have been a story about victims became a story about heroes.” Lead actress Nassia Sydeta picked up the award for the absent director. A Special Mention was awarded to the short Scorched Earth by Markela Kontaratou. The jury justified how, “…the female gaze turned a simple story of a stay by the sea into a thriller…”
This year’s closing film was Athens Midnight Radio by Renos Haralambidis. An Athens late-night radio producer turns fifty and realizes he’s no longer young. On air he reminisces about his life so far with creeping regret. The solitude feels ghost-like, complimented by the beautifully filmed Athens night. For its German premiere, main actor and director Renos Haralambidis introduced the film. Joining him for the Q&A after the screening were producer Angelos Venetis and main actress Margarita Amarantidi.
Following the closing ceremony, a party was held in Berlin to sign-off on this special tenth edition. In the presence of guests, the festival team cut the commemorative birthday cake.
By Steven Yates
Aside from the main Emerging Greeks Competition, the festival features other competitions and prizes. The Documentary Competition has six films competing for the prize, just like the main competition. Two featurettes are screening together in one program. First Milk, by Panagiotis Papafragkos, takes a more poetic stance for its expression. Farewell: And Suddenly Memory Began to Remember, by Ada Pitsou, looks at creativity after dementia. The subject here is the renowned Greek psychotherapist Toula Vlachoutsikou.
Stray Bodies by Elina Psykou looks at choices and laws regarding the body and dignity. Abortion, IVF and euthanasia now benefit from the trans-national salvation of the increasingly popular “medical tourism”. The film therefore becomes a medical road trip through Europe. Panellinion, directed by Spyros Mantzavinos and Kostas Antarachas, is set in a central Athens chess coffeehouse. It is also the setting for ghosts, obsession, solitude and madness.
Continuing the theme of personal health challenges is Loxy by Thanasis Kafetzis and Dimitris Zahos. Young Loxandra, who has Downs syndrome, signs an acting contract with the National Theater of Greece. In this, she becomes the first disabled person to do so. Leaving her city and everyday life behind, she travels to Athens to fulfill this ambition.
Finally, Tack by Vania Turner, is a documentary on the Olympian who pioneered Greece’s #MeToo movement. Sofia Bekatorou, the 2004 Olympic Gold Medalist for Sailing, was a victim of abuse. In this film she helps a young athlete Amalia through her own ordeal. Amalia is seeking justice for the systematic abuse she endured at the hands of her coach. This happened when she was just eleven-years-old, and with Sofia’s help she has finally come forward.
The Documentary Jury is the same one as for the main Emerging Greeks Competition. It comprises of: Simone Baumann (Germany), Nikos Smpiliris (Greece) and Dr. Martin Blaney (UK).
To showcase new talent, there is also the Short Films Competition, divided into two screening programs. Complimenting this is a Student Shorts Competition.
The Shorts Jury is: Pierpaolo Festa (Italy), Karen Cifarelli (USA) and Marios Gavrilis (Greece-Germany).
The award ceremony on 30th March is followed by Athens Midnight Radio, the Closing Film.
~ By Steven Yates
As always with any major, small, or niche festival, all eyes are on the big events. The main competition is also conspicuous, and then there are the other sections. At this year’s Greek Film Festival Berlin, the reception for Stelios justified it as the Opening Film. Many of the audience stayed behind for the hour-long Q&A with director Yorgos Tsemberopoulos.
Stelios also belonged to an out of competition section called Tribute: Notes on Film. The section pays tribute to the makers of music in Greece throughout the last century. The other four films in the section assimilated retrospective Greek offerings with more recent films. It also balanced documentary with fiction films. Edge of Night by Nikos Panayotopoulos was released in 2000 and draws allusions to Stelios. In particularly, it harks back to the age of seedy bars in remote Greece. The narrative tells of an aspiring singer who leaves Athens, hoping for her big break. The film’s score is by renowned Greek composer Stamatis Kraounakis.
Made in 2019, Eftihia is a celebration of the life of Eftihia Papagianopoulou. The film portrays her struggles and dreams to become a poet and lyricist. In 1919, before the Greco-Turkish War, she escapes from Smyrna to Greece with her mother and two children in search of fame. Eftihia is further recognition for the poet, who did not become famous until after her death.
Yani Spanos: A Life behind the Marquee, by Aris Dorizas is an intriguing documentary. Made in 2023 it portrays the humble life of the Greek composer, born Ioannes “Giannis” Spanos. It also follows his collaborations in Paris and fame in his homeland. All this is seen through the eyes of a fan, with rare interviews and documents. The use of animation and collage is also enhancing.
Nikos Chantzis’ Return of the Creeps (2024) celebrates the famous Athens-based record label. An energetic documentary, it prominently looks at the life of Creep Records founder Babis Dallidis. Despite lasting only four years (1982-1986), Creep Records created a legacy of the Greek New Wave scene. This included the Post-Punk and Dark Wave genres. The featured label artists includes Art of Parties, Clown, Cpt Nefos, and Headleaders.
The Greek Film Festival Berlin runs until March 30th.
~ By Steven Yates
For its tenth anniversary, the Greek Film Festival in Berlin offers another five days of screenings. The innovative program has benefitted both German and international audiences alike. Once again the screenings take place at Berlin’s legendary Babylon Mitte Cinema. Originating in 2016 the festival was initially known as Hellas Filmbox Berlin. Festival director Sofia Stavrianidou and her team rebranded to its current name in 2020. Since 2022 the festival has also travelled to Frankfurt and from 2023 in Cologne too.
This year the Opening Film is Stelios, directed by Yorgos Tsemberopoulos. It showcases the life of legendary singer Stelios Kazantzidis. Coming from a Pontic refugee family, his immense talent helped him overcome social and personal challenges. With his “Laiko” (a Greek folk-pop music genre) songs he won the hearts of a nation. For an opening film on the festival’s tenth edition, Stelios has an appropriately Greek celebratory factor.
Another intriguing main competition section features this year. Six films are competing for the best prize award in the section called Emerging Greeks Competition. All films are Berlin, German or International Premieres. Brando with a Glass Eye is directed by Antonis Tsonis. Set in the Greek capital, Athens, it concerns a heist that goes wrong and subsequent redemption. Killerwood by Christos Massalas blends fiction with perceived notions of reality. The premise of a young director’s film is a list of unsolved murders in Athens. However, could they be the work of a real-life serial killer?
Aside from Athens, images of Greece that come to mind are the countless Islands. In Kyuka: Before Summer’s End by Kostis Charamountanis, the island of Poros is the setting. It is summer and a single father and his adolescent twin children sail to the island. By chance they will meet their mother, who abandoned them when they were babies. More remote exotic islands are the setting for Maldives by Daniel Bolda. This time the family is a man and his dog in the secluded mountains. However the man’s world turns upside down when the dog disappears.
Back to Greece and domesticity again is Riviera by Orfeas Peretzis. When her mother announces they will leave, Alkistis contemplates one final summer living on the Athenian Riviera. Finally, Meat, by Dimitris Nakos is set in a village in the Greek countryside. After opening his butcher shop, Takis is confronted with truth and loyalty. When his son kills a neighbor who claimed part of their land there is one witness. Trouble is that he is also a long-term employee of Takis.
The 2025 Competition Jury is: Simone Baumann (Germany), Nikos Smpiliris (Greece) and Dr. Martin Blaney (UK). They are also the Documentary Jury.
~ By Steven Yates
Once again the Anamorphic Club Cafe opened for two days during the Berlinale. A place to meet and greet filmmakers while looking over the filmmaking goods from Sony cameras, Hawk lens and Vantage Films. Directors, producers and cinematographers came together for chats and seminars on the latest filmmaking trends.
For this episode of Chat Cinema we talk about the Berlinale. The 75th edition starts February 13th. Has the film gathering event turned a major corner with a new head? The Honeymoon period was pleasant. Now comes the hard part. Turning the Berlin gathering into a true “A-List” festival.
But, beneath the mixed headlines, we also found some gems that will screen over the course of ten days.
Check out the podcast with co-host Steven Yates.
Berlinale press team sent me the location of the press conference, my eyes rolled. House of the Cultures of the World. A 1957 building straddling the Spree River in the Tiergarten section of the city. The symbolism of the location is not lost. After all the controversial headlines, the festival needed to prove point of being open to all. The problem is getting to this symbol of universal openness. Indian Jones would need patience this locale is inside the city, yet in a remote place not easily reached. I needed to take the U5 to the nearest Metro Station, Bundestag, then another eight-minute walk in -2C weather. After talking to other colleagues, we decided to watch the YouTube stream then discuss the details afterward. The reactions, The Berlinale has solidified its place as a second-tier festival.
This has been a cold January in the German Capital. Tricia Tuttle came out on stage wearing a jacket. Was this for warmth or protection? As the newly installed head of the Berlinale spoke in a clear but at times flatness enthusiasm. The jacket could have been more a security blanket. As the newly creative head read from cards, her lack of fervor became clear.
The team placed a best foot forward, going down the list of films on the scheduled to show in February. Normally before a film festival the buzz is built by press leaks of works that will unspool. The only news from Berlin concerned last year’s controversial anti-semitic row, budget cuts this year, threatened boycotts and then the sudden increased funding from the Ministry of Culture. Keeping track of a tennis ball would have been easier than staying up to date on news coming from Potsdamer Platz.
If there were high expectations, a breath of fresh air for the 75th edition of the Berlinale, the audience’s reaction sucked the air out of the room. The timid, almost chilly polite applause did not need explanation. Instead of something new, the festival was merely repackaging an average grade product. The Competition Section has a Richard Linklater work in the batch among the nineteen films in the run for the Golden Bear.
On the small-scale glamour front, the Special Section will include A Complete Unknown with Timothee Chalamet for a German Premiere and Robert Pattison in Bong Joon Ho’s Mickey 17 will hit the Red Carpet. Other stars confirmed to attend are Jessica Chastain with more to be announced. Perhaps the pleas for more big stars to come only reached the Junk Mailbox.
The Berlinale continues to say “It is one of the big festivals” alongside Cannes and Venice in relevance It is time to stop believing the press releases. For Tricia Tuttle, the honeymoon period is over.
The Berlinale starts Feb 13th.
Croat Director Nebojša Slijepčević lifter a page from a tragic event in his region’s history for the the short film “The Man Who Could Not Remain Silent“. The story of a train ride that turned into courage and loss during The 90’s Balkan War. This Chat Cinema Podcast talks to the Cannes Film Festival Palm d’ Or winner about the circumstances and speaking out in the face of brutality.
From the Tribeca Film Festival there were more titles screening on the subjects of music and Climate Change.
Saddled with the description “Too Black, Too Fat,” this label would shadow the acclaimed singer for his entire career.
Drew Porter pulls back the sparkling curtain, presenting a story of a singer whose zig zag rise to stardom did not come at a price, more from a silent suffering. Using archival footage with interviews from close friends, the documentary peels away the layers of Vandross move from a New York back-up singer ton the kids show Sesame Street, working with David Bowie and Bette Midler to becoming the top voice of RnB music. Luther: Never Too Much will inspire many to investigate Spotify.
After listening to the opening musical beats, I was hooked on yet another musical themed documentary. Anyone on the Spanish Isle of Ibiza during the summer knows Carl Craig. Form a set at one of the massive Beach Disco locales. The Detroit born techno music maestro is the center of Desire: The Carl Craig Story. As a major figure in the Motor City Music scene the DJ and director Jean-Cosme Delaloye embark on a personal trip beginning in industrial ruins to the global party going capitals.
Slave Play. Not A Movie. A Play is one of those works with the subtlety of a 10lb brick in the face. Jeremy O. Harris goes behind the curtain to show the word his process for creating his controversial sexually charged Tony Nominated drama Slave Play. Many writers are great manipulators, able to play with emotions with a naughty wordsmith veneer. Many will have a problem dramatising a 280-year-old tragedy being reduced to carnal fetish. On the other hand, some will praise Harris’s vision. The world would be a boring place if everyone had the opinion.
The continued drought in Kenya is causing havoc on communities. Last year I screened a film on the violence caused by lack of water for farmers. This year another entry came on my screen, Searching for Amani. Once again, it is a story involving conflict over scare resources. Nicole Gormley and Debra Arko’s camera accompany a minor’s journey to understanding the reason for his father’s murder while trying to understand the fast-changing world around him.
There is a part of Nairobi Kenya where the raw Earth is no longer visible. The area is covered with fabric strips from discarded clothing dumped by global clothing brands in the capital neighbourhood. This shocking scene encapsulates fashions footprint on the environment. Japanese fashion designer Yuima Nakazato traveled to the African nation to see the piles of excess clothing waste. Kossai Sekine’s makes an environmental statement on how Climate Change consequences have been compartmentalized by consumers and the fashion business in his film Dust to Dust.
Tribeca Film Festival ran from June 6th to 16th.