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Cinema

Belarus on the VERGE

Reading the headline about the Ryanair flight intercepted to Belarus, a story straight from a Cold War novel, suddenly the world was back in an East versus West game of high stakes chest. President Alexander Lukashenko has been in power for almost 3 decades with no signs of exiting the stage. After the the 2020 election demonstrators took to the street demanding accountability and change. 

While interviewing Director Aliaksei Paluyan about his film COURAGE,a documentary on thethe current Belarus political sitautionhe said something that hit me, “Minsk is equal flying distance from Berlin as Paris.”

The exclusive interview with Aliaksei.

After the Roman Protasevich hijacking, do you feel safe? 

It would be a lie If I said I feel safe, There is a feeling of fear by all of Lukashenko’s critics. I think more about safety.

I’ve not lost control, but I have held to my goal of telling the truth.

A Lost Moment

Were you expecting a “Ceausecu Moment” during the demonstrations? 

Yes. No one wanted violence. If there is a civil war, the protesters don’t have guns. This is a movement of moral choice. Our choices were taken away from us. The country does not want to be a geopolitical chess piece between the east and the west. Belarus’s destiny must be decided by us not in foreign capitals.

There is a wrenching scene, standing outside the prison, is this a tradition in Belarus? 

There are 350.000 detainees in the country. Not a tradition! A tragedy! This was the hardest scene to shoot. How to understand the emotion? Women reading a list of the disappeared. The nightmare of waiting for loved ones outside a prison, while inside, people are tortured. The crowd applauses when detainees are released.

You can see sense of loss in the guard’s eyes, especially the young ones. People on both sides are broken.

When Dzianis speaks about being abused in prison in the 90’s. It left me in doubt concerning hope. Oppression has been handed down, is this right?

It was important to bring this fact to the audience. Lukashenko has been power since 1994. I used archival footage to show how long this has been going on. He is not a dictator, he is a tyrant abusing his own country, declaring war on his people. Many turned a blind’s eye what was happening.

Political

Are you political?

Director Aliaksei Paluyan

I can’t say I’m political. It is impossible not say anything cause the of critical situation. The trauma is huge.

The wife, Maryna, was the most pragmatic of the characters. She says, “What’s Next?”

She’s a mother.

What about the play and the actors, what happened? 

All the performers were detained for a while. They knew the possible consequences. That is the courage. Keep fighting, overcoming the fear and hopeless.

Pavel left for Kiev. The Director of Photography is still in Belarus. After the Ryanair event, Myrna left on the last flight out. Denis was blackballed. He can not work anywhere.

Courage was screened in May with English subtitles 

Running Time: 90 minutes 

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Cinema

A Modern Decameron

An interview with artist and film director Rita Hui on her film Decameron. A

Your film is about resilience, how would define this? 

I think after 2019, we (the Hong Kong people) have ben mental prepared about the action from the government. During the time in 2019, one of the slogan which become the most important mind set of HK people “攪炒” “ Laam Chow”, what’s the meaning is “I want mutual destruction”/ “I want damage on all sides”/ “If we burn, you burn with us”. We have prepare the worst scenario, so we won’t surprise of what the government will do to the people. Also. The resisted become the daily activity, that is the normal life we have during the time in 2020, after the social movement in 2019. 

Everyday life in Hong Kong seemed routined, what were you saying to the audience with these settings?

One of the question we asked mostly in the early 2020: “How can we go back to the normal life?” and the further question is “ What’s normal life?” That’s the question we asked when we start to brainstorming the production, and also we want to capture the change of our daily life routine. Authority can easily change the daily routine, and the people can’t do anything to responded. When I go back to the history, hong kong history, and I found the pattern of history was make. The history is repeated. This is not the first time, to give a chance of the authority to control the people freedom. How we re-created the narrative of the daily routine, which is important.  

The Decameron, tales set during a plague, your title “Decameron” please explain the reference.

After finishing the film, we concerned that how can we explain, or situate the theme of film for overseas audience by creating an English name. Decameron came across in my mind, it is a 14th-century Italian novel by Boccaccio. This novel set its plot during a pandemic society, several people escaped from that pandemic and start telling story each other to kill time. Those stories revealed how the society was corrupted. The link between Decameron and nowadays Hong Kong is the downward spiral like initiating National Security Law (which means Reform in the point of view of government) happening in every single day, under the shadow of Covid-19 pandemic. And through the film, you can read different pieces of ours daily life, especially before NSL, it is a hybrid situation (we fight against the Virus and fight for freedom).

Hong Kong is a city with a complicated past, forced separation, now, what looks an unwilling reunification, with parts in different worlds, as a person and a city, how do you process these positions?  

This is a very difficult question. I don’t know how to position myself nowadays. The complicated past of Hong Kong, the colonial city, the immigration people, what we learn about democracy and freedom, human right from the past history, we hope we can be the master of our city. Now, the National Security Law become everything,  we don’t have the free speech anymore, we cant have our own emotion and creativity, we cant stand on our position, even I don’t know maybe my film is “allowed” or not “allowed” to show in Hong Kong under the red line. We don’t know where’s the red line. The film, maybe become the evidence of crime, that would make our crew in danger. Are we breaking the laws? I don’t know. What’s Law? What’s the nation security?

Why the nation security much important than people safety? We have lot of question, especial nowadays. In 2020, the daily routine I want to created in Decameron, which is the resisted from daily life. But in 2021, we hear the bad news day by day, and we can’t do anything. The powerless feeling become our collective emotion, and we don’t know what is next. The film, maybe cannot pass the censorship in Hong Kong, and the film for Hong Kong which is not able to be show in Hong Kong. 

Decameron was screened at the Rotterdam International Film Festival.

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Cinema

Tribeca-The Fury

When I saw this film on the Tribeca Film Festival Schedule. I put it on my list. Bitchin:The Sound and Fury of Rick James tells the story of a Funk Master Rick James from the highs and lows.

Stay Tuned for the review.

Music Artist Rick James
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Cinema

Tribeca Film Fest-Shorts

It always a delight to discover talent making short films. This season there is no shortage of choices and themes.

Nando is a touching tribute to dreams and hard reality.

Last Meal, what would you want for for your final supper?

Liza Anonymous, a funny take on generational zeitgeist.

An honourable mention goes to Death & The Lady All shorts screened on the Tribeca Film Festival website.

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Cinema

Last Film Show at Tribeca

Should I or Shouldn’t I? How many stars do I give a film I like? I decided on 4.5 stars. The Last Film Show is worth a watch for every film lover.

Stay Tuned for the full review. Screened at the Tribeca Film Festival.

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Cinema

Lady Boss

I just screened Lady Boss-The Jackie Collins Story from the digital Tribeca film Festival.

A story of a woman driven to success by insecurities. Was Ms. Collins a feminist?

Stay Tuned for the full review.

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Cinema

Tribeca Day 1 Impressions

My first day at the virtual Tribeca Film Festival. My first impression of the overall films: technically superb, polished, broadcast quality, indeed ready for a streaming service. These are filmmakers with an end goal concerning their work. 

While I have not seen broad risk taking, after viewing a few features, the message here is: I am here ready to work in the business.

Stay tuned for coverage. 

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Cinema

Is it worth a trip to the Cryptozoo?

I got a screener link straight from 2021 Sundance Film Festival. A nice surprise these days during a never ending lockdown to know filmmakers are still working. For some reason I did not receive the press release for Cryptozoa. The short description read “cryptozookeppers struggle to capture a baku,,, or should mystical creatures be displayed at a zoo or hidden”. An unusual premise to take in on first reading. The animated feature by Dash Shaw also came with a not so familiar but intriguing looking poster of characters standing in front of an entrance gate. Initial research on IMD found the film garnered nice reviews at the Utah Fest. 

Creatures and more

Taking the plunge, I clicked the link for the 90 minute film. Certainly after the first few minutes, Pixar was out the window. Dash decided to set himself apart. The director’s world is filled with well known and not so well known mystical creatures. Lauren and Joan have charged themselves with the task of finding all the crypts for safe keeping in a Zoo type amusement park. Also on the trail is Nick with the duty of securing the beings for military use.

The premise has a core moral message inside a story that gets tangled up with so much happening at once. However, the constant bombardment at times feels as though Mr. Shaw decided on the heavy handed approach to compensate for some short comings in his story telling ability. There was a not a single laugh in the Dash’s second feature film. Why the heavy dose of cynicism?

Cryptozoo offers some stunning visual renderings for the viewer. Taking a chance to challenge viewers on the definition of animation still does not compensate for a script that needed a smoother impetus.

3 stars out of 5. 

Running Time of 90 minutes

Premiered at the Sundance Film Festival from The Match Factory

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chat cinema. Cinema entertainment news

Chat Cinema on Sunsets

From the International Film Festival Rotterdam, Chat Cinema spoke to Director Basir Mohmood about his short film Sunsets, Everyday. The Tiger Award winning short examines domestic abuse during the pandemic.

Sorry for the sound problem but Basir is clear.

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Cinema

IFFR 21 Preview

Look out for our features on these films unspooling at the International Film Festival Rotterdam. Click on a link to enjoy a preview.

Chat Cinema Podcast with the film’s directors coming soon.