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A Small Gem

Shockwaves

(Warning: There are spoilers in this review)

Television is having a Golden Period now. Fortunately, quality programs are not exclusive to the United States or Great Britain.  

I met a Berlinale film festival colleague for an evening drink. We started talking about the past festival, our dislikes then our few likes. The Berlinale is a festival where you find unintended treasures. I was reminded about one film from the Panorama section there was a screening of a Swiss TV anthology crime drama “Shock Waves”, four stories revolving around young men. Switzerland is not a country associated with violence, when I learned the festival had secured screenings two episodes of an anthology crime show from the Alps, I was skeptical, in my mind I imagined an antiseptic CSI episode of a stolen cow and milking machine gone wrong, causing social havoc came to my mind at the Saturday Press screening.

I was in walk out mode, instead I was rewarded for staying in my chair. A television crime  show better than many films at the festival.  

Episode 1.

First name: Matthieu is the brutal story of 17 year old male rape victim Matthieu Reymond.

Lionel Baier (film director and screenwriter).
Photo call and press conference of the film “Shockwaves – Diary of My Mind”.
Berlinale 2018.
Berlin, 19.02.2018.

Director/ Writer Lionel Baier does not go for the easy explicit scenes, instead untangling the story through the victim’s emotional trauma as he, his family, and country come to terms of the sadistic crime. Maxime Gorbatchevsky’s subtle wounded performance stand out along with Ursina Ladi’s as his mother who tries to go about life in denial as if nothing happened.

Based on a true story from a series of murders in Switzerland from 1981 to 1987 committed by a natural born Swiss citizen. “I met the killer in a small room in prison”. He knew he would be caught. He thinks he feels sorry, for himself and family but not able to understand to everything.”

Episode 2.

Shockwaves-Diary of my Mind explores the sudden burst of a violent act in what seemed like a normal existence.

This episode is brutal, as an American, I find the tale more relatable. Director Ursula Meier’s

Fanny Ardant (actress).
Photo call and press conference of the film “Shockwaves – Diary of My Mind”.
Berlinale 2018.
Berlin, 19.02.2018.

70 minute episode feels like watching a live feed on CNN. Why would a middle class young man murder his parents? Could a high school literature teacher have the answer? Fanny Ardant’s stands out as an emotionally wounded literature teacher in perpetual pain mode. Viewed by the police as an enabler of the perpetrator because of a writing assignment. Her closed off world is suddenly shattered by a crime a student’s horrific crime. “We do not know anything about my character. She is alone. No family”, She is at the end of her career, says Ardant. Kacey Mottet-Klein turns in a fine performance as a troubled young man plotting parricide. We spoke about the character, states Meier. We worked together in the past so we know each other.

Production values for the Swiss TV program are top. 

Screened in the Panorama section at the Berlinale in January. 

Shockwaves can be seen on Arte. Check streaming services.

#Thisberlinale18 sponsored by Canon Camera and Pringle of Scotland

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Cannes 2018

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Cannes 18

The latest news from the world’s top film festival.

Special Note: The reviews for the Javier Bardeem, Penelope Cruz film, “Everybody Knows”, have been mixed. 

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Fashion

What Comes Around

A Black and Paper interview with director Reem Saleh. The filmmaker’s documentary “What Comes Around” is a glimpse into the lives of people residing in a poor area of Cairo, Egypt neighborhood.

What Comes Around avoided Western Stereotypes of People lives in the region. There were human factors, not the 2 dimension images shown on regular television.

I am happy you saw this human factor in my film, not stereotypes. The Middle East is huge. There is everything. Stereotypes do not reflect the society. The Egyptian neighborhood is Muslim, but religion does not play a role in the film. It is a film about the struggles of life.

Can I say the subjects of the film seemed to suffer from a “Poverty of Decisions Making”?

Actually No! They did what they felt. They were happy they managed to buy a motorcycle, (for the son) so they wanted to sacrifice a rabbit because this removes the “evil eye” and paying for the two weddings.

You may think it is poor decision making or a waste of money but personally I think there is nothing wrong with this. It made them feel good.

You did not judge the characters, it was presentational, true?

Yes, it is true. I followed them and their lives. There is no right or wrong. I wanted the audience to see it without being judgmental.

Are the subjects of the film trapped or doomed to their fates?

I wouldn’t say “trapped” but perhaps in a vicious circle. They are in their comfort zones, contentment. Few start climbing further. I hope this films opens the horizons for them to do things differently.

What is your background?

I am passionate about film. I studied cinema in Lebanon at the American University. I worked in TV and did some acting. I worked for the Doha Film Institute as a film programmer. I started working on this documentary in 2010. I shot over 200 hours of footage, post production took a year.

WHAT COMES AROUND was screened at the 68th Berlinale in the Panorama Section.

This interview is part of the Black and Paper #thisberlinale18 project, sponsored by Canon Camera and Pringle of Scotland.

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Cinema

Academy Awards 2018

Always a fun moment to make a video with these two.  Kristin and David give their impressions and predictions for the Oscars 2018.   There is no Weinstein picture in the race,  the #metoo movement has shaken the film industry, and diversity  is no longer a “cool buzzword” without meaning.  How will the Academy of Motion Pictures, Arts and Sciences respond to the changing  feelings of the cinema going public?

This year’s award show is a bit of a rollercoaster but we generally agree on all the categories,  Del Toro, Oldman, and McDormand will walk home with gold.  The Best Picture looks cloudy, Call Me By Your Name could upset The Shape of Water.

 

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The Final Awards

https://www.facebook.com/breck5/videos/10215048080145823/

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Nina Rothe is a cultural journalist and film critic attending the 68th Berlinale. She has contributed to many magazines including Huffington Post.

 

 

 

 

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Please forgive the wind in the mic.  We will solve the problem.