Cinema and fashion designers have gone hand and hand for decades. Recently, I attended a film festival event. Concerning collaborations, there was a lack of knowledge on the matter among many modern filmmakers. A costume can enhance the profile of film, Jane Fonda in 1968 Barbarella, the famous futuristic scanty pieces have become iconic designed by Paco Rabanne.
I have no pleasure in Carlo Chatrian’s abrupt departure. The Swiss native is a cinema enthusiasts. During my interview with the former Locarno Film Festival head, I found him to be engaging, positive and passionate about the cinematic art form. After taking the helm in Berlin in 2020 following the departure of Kosslick, Carlo seemed a right fit to elevate the event into the same leagues as the Cannes and Venice fests. Skeptical thoughts came to my mind cause of Chatrian’s intellectual demeanour. The German capital’s institutions are not known for easy change especially headed by outsiders. After having my accreditation rejected cause of the Chat Cinema Podcast critiquing the Berlinale, this is an organisation resistant to even listening. Now, I feel vindicated.
As I was attending an event on Saturday September 2nd, suddenly a push notification came on my phone, “Resignation” at the Berlinale. Another one! Following Mariette Rissenbeek’s earlier exit, the dual in charge of one of the world’s biggest film festival checked out. Statements have been flying from the Ministry of Culture about only wanting one creative head.
With his contract over in 2024, the search is on for a new creative director. The Berlinale will continue, the question is who would want to head the February Festival?
A mockumentary from a South African filmmaker seemed a bit of a long shot. Attending a film festivals is about viewing cinema outside of one’s comfort zone. Part of the International Film Festival Rotterdam Return of the Tiger Section, Daryn’s Gym was a curious title with an unusual premise. Surprisingly, the work from director Brett Michael Innes made me laugh. Soldiers lead by an ill prepared leader in a David versus Goliath battle.
Black and Paper interview with Producer Paulo Areal from the International Film Festival Rotterdam.
Normally, South Africa audiences expect serious, heavy subjects. You avoided this narrative, going for comedy. What was the reason?
“During COVID there was just so much heartache and pain. Brett Micheal-Innes, the writer-director producer of the film who is a known creative who deals with Dramatic themes, felt we needed to see a different slice of South Africa, a slice where a bunch of lovable misfits come together to fight for a common cause.”
As the producer, how did you approach this film?
“Daryn’s Gym was conceived, written, and produced over a 6 months period during COVID.
As the producers it was our task to run the first “COVID Safe feature set’ in South Africa. These uncharted waters had many firsts in terms of Social distancing, COVID protocols and regulations. However, these challengers brought the crew and cast together and made the journey a pleasant one.”
Was the audience supposed to feel sorry for Daryn, at times feeling the need to put him out of his misery?
“I don’t think so, even though Daryn was out of his depth regularly, his naivety was part of his charm and makes him endeared to the audiences.”
Were you hands on in regards to casting?
“Brett and I worked closely in the casting process and the final draft of the script was written once the leads had been locked off giving Brett the luxury of crafting the roles for the specific actors.”
Daryn’s Gym was screened at the International Film Festival Rotterdam. Running Time: 1 hour 30 minutes
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The Berlinale Press Conference was today. What are our thoughts on the today’s event? We will give you a full video run down tomorrow. Stay Tuned.