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Fashion

Chat Cinema talks #MeToo

This Chat Cinema Podcast came with a lot of thought. We debated on how to cover the topic. 

The #MeToo Movement has affected every part of the entertainment industry. In light of the revelations, Hollywood is going through a period self reflection.

I worked in the film business. The “casting couch” was very much a part of the process for women and men. The stories of “midnight meetings” were part of the landscape. The history of Hollywood: Studio moguls, executives, directors, and producers dangled parts for “favors”. Actress Heddy Lamar said, “the most famous women in the world were the biggest sluts”.

Steve, Sofia, and Breck discuss the topic that has up ended the industry. 

Use Your Head

Harrvey Weinstein never covered his trail. There was no need because he made money and won awards. Many willingly overlooked his behavior. Guardian Film Reporter Peter Bradshaw referred to him as the “Caligula of Cannes”.

The performers union SAG/AFTRA represents 160.000 performers. Many always looking for work or the big break.  When a once in a life time opportunity knocks on the door, many turn off the thinking button. A chance of a chance of landing a role in a film or televsion show.

Victim shaming is a term used in elite centers like Los Angeles and New York City.  All hotel rooms have one main piece of furniture, the bed. If a late night meeting takes place in a suite, perhaps questions should be asked.  The most obvious is, why this time? In urban culture this is described as a “Booty Call”.  

As a gay man who has been involved in a few late night rendezvous, a “meeting” at the Ritz after 9 pm usually does not involve detailed contract negotiations.  

Female Control 

Rewriting history for the sake of an argument clouds over past female achievements.  Women controlled their cinema destinies.  Mary Pickford co-founded United Artists studio with Chaplin, Douglas, and Griffith. Gloria Swanson briefly produced her own features after leaving Paramount. Claudette Colbert reached the top of the mountain becoming the highest paid performer in the business in 1938 and 1941 with complete control of script, director and leading man casting decisions. Colbert demanded certain close up camera angles from cinematographers. 

While the need for diverse voices is crucial. The heavy doses of sermonizing mixed with A-list  victimhood dilutes the message. Madonna going on television  complaining about career obstacles as a woman came across as humbled shopping spree at Nieman Marcus.  Protesting about fair treatment while walking the Red Carpet wearing $10.000 gowns had an air of day time soap opera self importance.   Am I the only person who missed the point?

Yes! The film community needs to do better. There is hope.  Less Victimology, more substance would be appreciated. 

The writer worked in Hollywood at the bottom of the ladder staring upward.

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Cinema

The Netflix Effect

The Netflix effect is real. The streaming has effected the cinema world like no other technology.   The Chat Cinema Team, Steve, Kristin, and Breck discuss the shockwaves.

Categories
Cinema Feature

Berlinale Saved Me

Rejection is a form of Protection 

“It is not enough for a film festival to be righteous. The films shown should be engaging.” I did not attend the Berlinale this year “because of the limited space”.  The likely reason, the Chat Cinema podcast I produced criticising the festival.  Someone took offence. 

Chat Cinema
Chat Cinema Podcast 

Reading over the reviews of the 69thannual event, “the press offices rejection is a cinema lovers protection.” It feels like I did not miss much. More like, saved. I support filmmaking. But when a film festival states “your attendence is not wanted”.  I can take a clue. Although, I wanted to see Monos and What She Said. 

If a person is going to spend time in a dark cinema, the very least to expect is engagement on a some level, not a sermon with a heavy dose of pretensions. This has been lost on the Berlinale team. 

Congratulations to Me

While there were many tributes to Kosslick for helming the festival since 2001, this years Berlinale lacked a well received Competition entry. I spoke to a writer colleague who described a film as “Just Boring!” Why the lack of high powered wattage for the creative heads final walk on the red carpet? But with celebration of Dieter continuing, why notice the many mediocre to average films? Instead, focus on the face saving self-congratulatory events took precedent.  The Guardian’s festival review of “hapless” seemed fitting.

https://twitter.com/BlackandPaper1/status/1095932043555426304

I believe women should have more opportunities to direct. Sadly, the film business has not felt this way. But I say, a female helmer can make a Heaven’s Gate like her male counterpart. Being on the political left side of social movements, the Berlinale showcased many women directors. Too bad their films were not up to par. 

I asked about fest opener, screened out of Competition,  The Kindness of Strangers from Danish director Lone Scherfig.  The words used, “Repetitive” and “too long”. The 34 metascore out of 100 says it all. Gender does not make anyone a good filmmaker.  Holland’s Mr. Jones, screened in Competition, nodded audience to sleep with its 141 minutes weightiness. 

Enjoy

Regardless if the Berlinale denies Chat Cinema/Black and Paper accreditation for 2020. Allow as many Instagram Influencers on the red carpet as possible.  This is a festival in a transitional crisis having lost its artistic and commercial way. 

Will Carlo Chatrian change course? One can hope, taking pleasure from attending the Berlinale should not be a mortal sin.

Perhaps I will attend the the 70th edition of the Berlinale. If I am not on the blacklist for honesty. 

Categories
Cinema Fashion Feature

Chat Cinema-Awards Season

Black and Paper presents Chat Cinema. A podcast involving everything cinema featuring diverse opinions on awards, stars, filmmakers, film history, festivals, and books.  

Sponsored by Beyerdynamic

The inspiration behind this project was the need to get more voices heard in regards to the cinema world. I know so many diverse cinephiles, I decided to tap into their skills, knowledge, and experiences to produce a show.  Also, whenever we get together the topic of conversation always leads to cinema, why not record it? 

Episode 1-Awards Season, contributors Sofia Stavrianidou and Steve Yates give their views on this years competition.  What are their predictions?  Who deserves to win? Does the Academy dislike a certain actress? Plus, a digression on a film master from the past. 

Sofia Stavriandou studied Classics, at the National Kapodistrian University in Athens, Greece and took classes on Film and Communication in Athens and Cologne, Germany, She’s been a film professional for 20 years, specializingin press, publicity and media. Her experience include: working as the Communications Manager at the Thessaloniki International Film Festival and the Thessaloniki Documentary Festival (Greece), additionally, as Press Office Manager at Odeon Film Distribution (the largest distribution company in the Balkans and Greece), as well as a Film Sales and Acquisitions Executive at M-Appeal World Sales (Berlin). Today, her main role is the Head of Communications at Hellas Filmbox Berlin, the Greek-German Film festival in Berlin. As well, she cooperates with re:publica as publicity manager. Sofia has been based in Berlin since 2012.

Steven Yates studied Film and English at Kent University before taking an M.A. at Westminster University in London. Working as a freelance film writer since 1998, he has been published in books for Wallflower Press and in magazines and websites including El Hype, Celluloid, afterimage, Film International and theartsdesk.com. Based in Berlin, Steve is a member of FIPRESCI (The International Federation of Film Critics) and has sat on their jury at numerous international film festivals since 2002. He is also one of the main English language supervisors for the FIPRESCI website (www.fipresci.org).

Stay tuned for more podcast on cinema topics. 

Categories
Cinema

The Up and Comers

The Shooting Stars is a European Project promoting up and coming talent in cinema. Each year 10 performers are chosen by film professionals for their work in media.

European Shooting Stars at the Berlin International Film Festival 2018.

Franz Rogowski from Germany

Irakli Kvirikadze from Georgia

Jonas Smulders from The Netherlands

Matteo Simoni from Belgium

Matilda De Angelis from Italy

Michaela Coel from United Kingdom

Alba Ausust from Sweden

Reka Tenki from Hungary

Luna Wedler from Switzerland

Eili Harboe from Norway

Black and Paper participated in round table interviews with the actresses this past February.It’s always interesting to see how young talent face the press corps in a manic setting of photogrpahers and television cameras.

Alba August 

Alba August is the daughter of esteemed Swedish Director Belle August. I was taken by her confidence. Her stories of visiting her father on film sets reveals in a way she is a veteran in the business.

Elie Harboe 

Norwagien Actress Elie Harboe did not travel the classic route of acting work with professional training at school.  Auditioning for film during an open casting call at age 7 she learned technics in small groups. She was using an Acne bag as an everyday accessory for carrying books. An avid reader with a Bachelor Degree in English Literature, her dream is to publish a book in the future.

Malinda De Angelis wearing Fendi 

Of course I expected style from Italian Actress Malida De Angelis. She was wearing Fendi. She was the only lady wearing high heels. “As an Italian we care about Fashion”. A self-decribed actress by chance, she trained as a muscian. “Music is fundamental in my life”, “when I prepare for a role, to get in the mood I listen to certain bands” says De Angelis.

Belgium Actor Matteo Simoni 
Got this image but no time for an interview. 

Stay tuned for Shooting Stars 2019 this Februrary from Berlinale.

#ThisBerlinale18 Coverage Sponsored by Canon Camera and Pringle of Scotland 

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Fashion

Cannes 2018

https://youtu.be/zn53_yYq5R0

Categories
Fashion

Cannes 2018 from France 24

Categories
Cinema

#THISBERLINALE19

Black and Paper is preparing for the Berlinale 2019.

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Cinema

#thisberlinale18 Thanks

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Cinema

#thisberlinale18 Opinions

Sorry this is a bit late, but late than never!

A Fantastic Woman premiered at the 2017 Berlinale in the Competition section before going on to win the Academy Award for Best Foreign Film. That is one for the Berlinale Team.