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Cinema

Possessor, A New Cronenberg Arrives

During a partial lockdown my only entertainment is sitting in the living room in front of a screen. I got a screener link to Possessor. I knew a few details about the film from social media. The jarring one sheet poster meant this is a not a mainstream film. 

Brandon Cronenberg is an apple who did not fall from the tree. Like his father, the son of acclaimed filmmaker David Cronenberg displays his cynicism towards modern technology front and centre. To classify the film as just a sci-fi thriller would be too easy. Identity, corporate assignation, gender roles, murder and personality theft are covered in Possessor.

One sheet for Possessor

His Father’s Son

I expected some head turning moments when the opening credits rolled. The “what have I gotten myself into moment” started during the first 5 minutes. The shocking opening scene gives a bloody preview of things to come. For Cronenberg fans, as I said, Brandon inherited his father’s artistic DNA.

Kudos to lead actors Andrea Riseborough and Christopher Abbott for playing their synchronized roles without sharing a scene. As Tasya Vos, Riseborough’s breathes life into her almost out of control tech assassin. Abbott’s role as a possessed displaced person in his own body takes a subtle route of a confused man battling for control of his mind and body.

Andrea Riseborough
Andrea Riseborough gives a fine performance as a tech for hire killer.

A lot of mention has been given to the film’s cinematography and direction, well deserved. Brandon’s work is one of a confident director in control. At times the emphasis on style over story hobbles his script, especially 3/4 along the ride. A bit of overkill creeps in.

Director of Photography Karim Hussain’s camera work deserves mentioning. One of main criticism of modern technology is the sense of belonging while in isolation. Karim gets this across by shooting the scenes with a sense of chilling detachment.

Possessor can be called “disturbing”. But for me, I would argue this is a calling card work from a guy with a flair for staging violence. Brandon Cronenberg may not get invited to make a Marvel film. That could be a good thing. We need filmmakers with his perspective working outside the commercial arena.

3.5 out of 5 stars.

Possessor, directed and written by Brandon Cronenberg

A Running Time of 103 minutes 

From Neon

Available on Video on Demand December 8th

Categories
Cinema

Berlinale-Alternative List

David Mouriquand’s alternative list for the festival.

http://www.exberliner.com/blogs/the-berlinale-blog/the-berlinale-blog_2/

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Cinema

Berlinale

Berlinale

The 67th Berlinale opened with some political questions on the agenda but Jury President Paul Verhoeven stating he was here to judge the quality of the movie, not the political perspective. Mr. Verhoeven said he expects to see a lot of movies that are different and have heated arguments with respect.

Jury member Diego Luna addressed the current global political tones by saying, “I am not here to send messages but I am here to listen.”  When asked about the proposed wall between the US and Mexico Luna commented, I have good memories crossing the border from both sides.

As a film festival Berlinale has always had a political edge but this year the jury seemed more pragmatic, less overtly ideological.

Berlinale makes an effort not to be taken over by market forces said fellow jury member Olafur Eliasson.

Addressing the issues concerning the state of Hollywood and the lack of Adult Movies, the bottom line mentality has taken control of the industry.  Studios and Producers only want to invest in films with big returns.  Film Director (Total Recall, Elle, and Robo Cop) Verhoven discussed the challenges of trying to get his latest film Elle produced.

Berlinale Jury: Paul Verhoeven, Dora Bouchoucha Fourati, Olafur Eliasson, Maggie Gyllenhaal, Julia Jentsch, Diego Luna, and Wang Quan’an

Berlinale continues until February 20th.

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