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Music and Climate Change

From the Tribeca Film Festival there were more titles screening on the subjects of music and Climate Change.

Saddled with the description “Too Black, Too Fat,” this label would shadow the acclaimed singer for his entire career.

Tribeca Film Festival
Singer Luther Vandross

Drew Porter pulls back the sparkling curtain, presenting a story of a singer whose zig zag rise to stardom did not come at a price, more from a silent suffering.  Using archival footage with interviews from close friends, the documentary peels away the layers of Vandross move from a New York back-up singer ton the kids show Sesame Street, working with David Bowie and Bette Midler to becoming the top voice of RnB music.  Luther: Never Too Much will inspire many to investigate Spotify.

After listening to the opening musical beats, I was hooked on yet another musical themed documentary.  Anyone on the Spanish Isle of Ibiza during the summer knows Carl Craig. Form a set at one of the massive Beach Disco locales.  The Detroit born techno music maestro is the center of Desire: The Carl Craig Story.  As a major figure in the Motor City Music scene the DJ and director Jean-Cosme Delaloye embark on a personal trip beginning in industrial ruins to the global party going capitals.

Tribeca Film Festival
Carl Craig

Subtle

Slave Play. Not A Movie. A Play is one of those works with the subtlety of a 10lb brick in the face.  Jeremy O. Harris goes behind the curtain to show the word his process for creating his controversial sexually charged Tony Nominated drama Slave Play.  Many writers are great manipulators, able to play with emotions with a naughty wordsmith veneer.  Many will have a problem dramatising a 280-year-old tragedy being reduced to carnal fetish.  On the other hand, some will praise Harris’s vision.  The world would be a boring place if everyone had the opinion.

Tribeca Film Festival
Slave Play. Not A Movie. A Play.

Effects on Kenya

The continued drought in Kenya is causing havoc on communities.  Last year I screened a film on the violence caused by lack of water for farmers.  This year another entry came on my screen, Searching for Amani.  Once again, it is a story involving conflict over scare resources.  Nicole Gormley and Debra Arko’s camera accompany a minor’s journey to understanding the reason for his father’s murder while trying to understand the fast-changing world around him. 

There is a part of Nairobi Kenya where the raw Earth is no longer visible.  The area is covered with fabric strips from discarded clothing dumped by global clothing brands in the capital neighbourhood. This shocking scene encapsulates fashions footprint on the environment.   Japanese fashion designer Yuima Nakazato traveled to the African nation to see the piles of excess clothing waste.  Kossai Sekine’s makes an environmental statement on how Climate Change consequences have been compartmentalized by consumers and the fashion business in his film Dust to Dust.

Tribeca Film Festival ran from June 6th to 16th.

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chat cinema. Cinema entertainment news

Chat Cinema

The Hollywood Strikes are over. Awards Season has started. New episodes of Chat Cinema Podcast are in the pipeline with global filmmakers who may make the final cut for the Oscars this year.

Chat Cinema Podcast
Chat Cinema Podcast
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Fashion

2023 Tribeca

We got cleared for the New York’s premier glamour event, Tribeca Festival. 109 films make their debut at the 22nd annual event with features ranging from independent works to Classic Hollywood narratives. Other categories include Documentary, International Narrative and Spotlight Narratives.

For the interviews, news and reviews check back here.

Tribeca 23
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Cinema entertainment news

On Tap at IFFR 2023

I never know what to expect at the International Film Festival Rotterdam. The Dutch fest always provides twists and turns with a program that challenges my views on cinema.

IFFR
Numb
Le spectre de Boko Haram
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Cinema entertainment news

The Oscar Race For Short Films in 2022

Presenting varied International Short films that are Oscar eligible. The standard of these films are original and mostly excellent.

Starting with Tech to the Future by Sandro Monetti, not surprisingly, it is something otherworldly. The only non-fiction film here, the mood is like a news item straight out of Robocop. On-screen narrator Francis Hellyer proclaims that technology will lead us to a brighter future. His defiant sound bite: “Forget all the dystopian doom and gloom.” Subsequently, he visits various innovative tech industries. These range from a flying car development to AI digital replicas – a cloned Bruce Willis anyone?

Nakam from Ukraine is based on a true story in World War Two. It cultivates a good use of period setting, atmosphere and mise-en-scene. Ultimately it seems to question the circumstances and morality of killing, regardless of justified conviction.

The Bangladesh entry Moshari (a Mosquito net) hauntingly builds up suspense and tension well. This is achieved by allowing the psychology and paranoia its own freedom of projection. Most importantly, it pulls back from the border of implausibilities. These mature qualities serve the denouement well.

Meanwhile, The Silent Echo is a bitter-sweet snapshot of aspirations to escape remote life. A young Nepali singer travels by long-distance bus for a music talent contest. However, his performance does not get the response he hoped for. His dedicated efforts in vain, he travels back home, to the beginning again. Silent Echo won London’s Raindance Film Festival Shorts in 2021.

The Tommaso Acquarone-directed I miei occhi (My Eyes) concerns a woman caught up in traffic. Speaking on her mobile phone, she is already containing private tension. Soon, she offers a lift to a street performer she has seen before. The rest of the film promises greater suspense but ultimately reaches a juncture. Therefore, a good idea gets stuck in a dead end.

A wayward teenager in The Wake is frustrated by his live-wire father and passive mother. Accompanied by his deaf younger brother he seeks an outlet for his emotions. Breaking into houses and stealing token items he dubiously achieves this aim. However, an inexorable trajectory occurs after he finds a gun in a local house. The somewhat unexpected ending rounds off an original take on the suspense drama.

Finally, War of Colors is a heartfelt plea for sympathy for those born with the albino condition. A pretty, intelligent, and sensitive young woman finds discrimination even within her own race. Her brave and disheartening struggle for acceptance is both compelling and thought-provoking. Diandra Forrest excels as the central character in this another worthy Oscar short contender.

~ By Steven Yates entertainment contributor.

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Cinema

Tribeca 2021

What is happening in the indie film world? We are covering Tribeca this year. Stay tuned for all the interviews, news and reviews.
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Cinema

Chat Cinema on Pebbles

From the International Film Festival Rotterdam, Chat Cinema interviews the creative team of the Award Winning film Pebbles. Director Vinothraq’s story inspires the spirit.

Part 1 of 2. Click the link.

Stay Tuned for Part 2 of the interview.

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Cinema entertainment entertainment news

Rotterdam Fest

This is the first time I covered the the International Film Festival Rotterdam. I must admit, the Dutch event unspools films selected for being different or striking instead of political. As a cinema enthusiasts, I decided to have a more open mind perspective to filmmakers, learn new cinematic languages. Story telling that ventures into new narratives. So far, I have not been disappointed. The global filmmakers showing at the festival have produced some striking features.

2021 marks the 50th anniversary of the IFFR.

IFFR 50th Anniversary

On my first day I managed to watch 3 films and 4 shorts. Not bad!

Stay tuned for coverage, features and reviews.

The International Film Festival Rotterdam runs from Feb 1st to 7th.

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Cinema Feature

Did I Say Something Wrong?

A Trapped Artist Inside   

Dealing with bureaucrats with artistic pretensions is a balancing act. On the one hand they crave the hell with life mentality of Fassbinder, the go your own path of a Bowie, the respectability of Nolan mingled with the steady monthly salary of a state tax officer. Nowhere do I see this more than at the Berlinale Film Festival.

After the release of the 2017 petition calling for an overhaul of the film festival I saw many of the artistic and bureaucratic emotions collide. Artist and bureaucrats have thin skin.  I experienced as well as witnessed the staffs defensive sensitive side during the press screenings, the shorten opening press conference, then at the festival. 

Having attended the festival for many years, I support the annual event and films. The Berlinale mixes mainstream cinema to the quirky to the “I Don’t Get it!” 

No need for an opinion if you are small

My criticism of the organization has not been any harder or meaner than the any other site or press outlet. As an attendee,  I stated the reality. Real change has to come on all levels if it is to stay relevant on the circuit. As the film world knows, the Berlinale has been beset by criticisms from all sides. Festival Head Kosslick resigns this year. After last year’s fest and more recently during a “Chat Cinema” podcast we restated our opinions. A complete redo needed if the Berlinale can gain footing on the level as Cannes, Venice, and Sundance festivals. 

I applied for festival access as press, no response. After a quick call, the reply on the other end,  “We will check on it.”  Then a declined notice via email. Never a problem in the past, all of a sudden a problem. Should I call a CSI team to solve the case? A small website critical of the fest, suddenly there is no space for attendance, press credentials denied for Black and Paper.  I was told the press team is being diligent this year. What was their working method in the past? 

After speaking to the press team concerning the declined noticed, they mentioned my YouTube features, it felt like they used it as a homework assignment. The numbers were low and the long videos. The reasoning made no sense: the number of seats limited. A drop in attendance the previous year meant there should be more places in 2019, simple math. 

Relevant 

I asked, if the staff is so Internet Savvy why did not they not see the 24 pictorial, written, and video features produced and published about the 2018 Berlinale festival posted on Black and Paper.com. Additionally, there could have been more features had we written about the films not liked. Instead I  decided to focus on the films liked.  

After sending 10 weblinks from the 2018 coverage, I called the press officer back asking if they wanted more proof.  I am so important the response was,” we are discussing it, it will take a few hours to discuss the application.”  To be the topic of discussion at a film festival by staff should inflate the ego. Instead it feels sad on this side of petty.  Did the Chat Cinema Podcast cause this relationship breakdown?  I was smugly told we did not have time to listen to the long cast.  I had time to endure screening 40 or so films at the film festival, only a few worth processing at a negative lab.

 Can you work for another magazine, was a question from the officer. I responded with a “NO!” This site has been ok for me.  I’m listed in the Berlinale data base, receiving emails from the festival. 

My advice, put together a good festival that engages, not sermonises. Or develop thick skin.

Crystal Ball 

Waiting a “few hours” from 1 pm until 7:48. I posted on Twitter a Chat Cinema tweet. Finally, 54 minutes later an email sent from the Berlinale press office stated my accreditation declined, again. REALLY! The press team spent 7 hours discussing Black and Paper, an honor in a way,  the center of attention of a festival with over 400 films, thousands of attendees and we were singled out. A rejection letter that took an afternoon to write.  There is an saying in the American South, “If people are talking about you, you must be relevant.” “But if they tell you not to come, you must be really relevant!”

Black and Paper will not attend the Berlinale 2019 because we stated our opinion. By and large not suffering from FOMO Syndrome. 


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Cinema

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