Categories
Cinema

Man Made Accomplishment

Watching the documentary “Man Made” the other day made me think.   In the 21stcentury transgender people continue to have a precarious existence in our society. Violence, unemployment, rejection, and death always lie in wait. The average lifespan of a transgender person is 30, a frightening statistic.  Director T. Cooper’s focuses on 4 transgender men. Each with a goal of entering the Trans Fit Con Body Building competition in Atlanta, Georgia. 

Thankfully, Cooper handles the material in a presentational manner. It would have been easy  to deploy a heavy dose of drama to make the audience sympathetic to the cause. The director avoids the “society as a guilty oppressor”. The documentary keeps the emptional focus centered, showing the discipline involved preparing for a competitive sport.  Every body builder lives for the pose on stage. 

Not a tragedy, but a film about hope.  Each man overcomes the many obstacles staying on track in the face of personal adversity.  In the end, a sense of accomplishment is universal.  

From Journeyman Pictures, Man Made is available on Vimeo, Google Play, iTunes, and Amazon.


Categories
Fashion

Cannes 2018

Categories
Interview

#thisberlinale18

Categories
Fashion

#thisberlinale18

Categories
Fashion

#thisberlinale18

Lights! Camera! Action!  The 68th Berlinale started with an all star bang.

Images powered by Canon Camera EOS 80D

Categories
Cinema

The 68th Berlinale

The 68th annual Berlinale starts on February 15th.  The opening film is Wes Anderson’s “Isle of Dogs”, a stop motion animation feature from the auteur featuring an all-star voice cast.

We are not sure what to expect. It looks unusual.

Black and Paper coverage of the Berlinale starts on February 15th.

Categories
Cinema

Cannes Film Festival

Cannes Film Festival

2017 seems to be a bit of anticlimax as far as cinema is concerned at the 70th Cannes Film Festival.  Not a single break out film, the usual glamour on the red carpet of  film makers, celebrities, and models were in attendance but the quality level of entries were below average this year.

The festival was eclipsed.  There was more chatter about what Bella Hadid wore on the Red Carpet than what was being shown on the screen.

Streaming services Netflix and Amazon made their presence felt but not without controversy. This is France after all, where going to the theater to watch a film is an art form.   Cinephiles did not like the thought of a film only being available on a small home screen.  Welcome to the future guys! The streaming services have cash and are willing to spend it.

Nicole Kidman had four films premiers including the highly hyped Sofia Coppola’s remake “Beguiled.”  Quanity does not mean quality, the verdict on the features with the Oscar winning actress were more a shrug.

On a positive note, Director Todd Haynes, a Cannes regular, returned with his well-received film “Wonderstruck” with Juliane Moore.

Cinema is going through a wave of change in the forms of how viewers watch, delivery, and formats.   But like it has in the past, cinema will adapt and flourish.  Creative talent is always needed.  Plus, we all like a “good movie” not matter how and where we see it.

Categories
Cinema

The Final Call at the Berlinale

Categories
Cinema

Berlinale-Alternative List

David Mouriquand’s alternative list for the festival.

http://www.exberliner.com/blogs/the-berlinale-blog/the-berlinale-blog_2/

Categories
Cinema

Berlinale-God’s Own Country

Black and Paper interview with God’s Own Country stars Josh O’Connor and Alec Secareanu at the 67th Berlinale.

God’s Own Country has received acclaimed on many fronts.  One of the main ingredients for the well-received film has been the chemistry of the lead actors, new comers who have given note-worthy performances.

What is your acting background?

Alec-Acting in Romania, theater, shorts.  This is my first lead role in a film.

Josh-I have been acting for 6 years. I have been doing theater, parts in films and television.  This is my second lead role.

Certain scenes of the film were a bit more “open” than others, how did you prepare for these scenes?

We knew about it when we read the script.  Some scenes were “open” but after meeting Francis, he knew what he wanted. It was not gratuitous.  We rehearsed, choreographed, like a dance routine.  Those scenes were a part of the story.

The movie depended on your relationship with each other, were you comfortable working with each other at the beginning?

We shot the movie in chronological order.  The production was a 6 week shoot.  We rehearsed but stayed cleared each other.  We trained on different farms, working 8 hours a day.  We came together after the first week of production.   During the filming we became friends.

The movie evolved from contempt to affection.

Yeah, Gheorghe changes Johnny.  At the beginning of the film he is stooped over, closed off from everyone.   His outlook changes during the relationship.

How have you handled the critical acclaim?

We are proud of our work with the reviews from Sundance and the Berlinale.

Josh-It is a film about optimism. What is happening in the UK now, Brexit,  I think it is important message.

The other film with LGBT theme at Sundance was Call Me By Your Name but our film is not about sexuality.

What did your family think when they saw the film?

Alec- My family has been supportive, Romania does not have a tradition of rights for LGTB.  I hope this film will help with a better understanding of LGBT people.

You had an incident not related to the film,  but because of your background?

Alec-While I was in Yorkshire I went to buy a beer in a convenience store.  The cashier asked to see my ID, when he I showed him it to him, Romania, he refused to sell me anything.

Josh-My family has not seen it.

What is next for you guys?

Alec- I want to work more in English Language films.

Josh-I am attached to a big indie film, a love story.

Black and Paper recommends God’s Own Country.   A poignant film about life, love gained, and consequences when the unexpected occurs.

God’s Own Country was screened at the 67th Berlinale in Panorama Section.