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A Solidified Berlinale

Berlinale press team sent me the location of the press conference, my eyes rolled. House of the Cultures of the World.  A 1957 building straddling the Spree River in the Tiergarten section of the city. The symbolism of the location is not lost. After all the controversial headlines, the festival needed to prove point of being open to all.  The problem is getting to this symbol of universal openness.  Indian Jones would need patience this locale is inside the city, yet in a remote place not easily reached. I needed to take the U5 to the nearest Metro Station, Bundestag, then another eight-minute walk in -2C weather. After talking to other colleagues, we decided to watch the YouTube stream then discuss the details afterward. The reactions, The Berlinale has solidified its place as a second-tier festival.

This has been a cold January in the German Capital.  Tricia Tuttle came out on stage wearing a jacket. Was this for warmth or protection? As the newly installed head of the Berlinale spoke in a clear but at times flatness enthusiasm. The jacket could have been more a security blanket.  As the newly creative head read from cards, her lack of fervor became clear.

The team placed a best foot forward, going down the list of films on the scheduled to show in February. Normally before a film festival the buzz is built by press leaks of works that will unspool.  The only news from Berlin concerned last year’s controversial anti-semitic row, budget cuts this year, threatened boycotts and then the sudden increased funding from the Ministry of Culture.  Keeping track of a tennis ball would have been easier than staying up to date on news coming from Potsdamer Platz.

Berlinale

If there were high expectations, a breath of fresh air for the 75th edition of the Berlinale, the audience’s reaction sucked the air out of the room.   The timid, almost chilly polite applause did not need explanation.  Instead of something new, the festival was merely repackaging an average grade product.   The Competition Section has a Richard Linklater work in the batch among the nineteen films in the run for the Golden Bear.

On the small-scale glamour front, the Special Section will include A Complete Unknown with Timothee Chalamet for a German Premiere and Robert Pattison in Bong Joon Ho’s Mickey 17 will hit the Red Carpet. Other stars confirmed to attend are Jessica Chastain with more to be announced.  Perhaps the pleas for more big stars to come only reached the Junk Mailbox.

The Berlinale continues to say “It is one of the big festivals” alongside Cannes and Venice in relevance   It is time to stop believing the press releases.  For Tricia Tuttle, the honeymoon period is over.  

The Berlinale starts Feb 13th.

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Is the Berlinale Reinventing or Repackaging?

The new Berlinale Poster, released the last week of December shows a new modern style. The number seventy-five features prominent at the right corner.  Ditching film festival Bear artwork is supposed to signal change, breaking from the past, the arrival of a new era, a reinvention of a once significant February cinema event.  But, is the new Berlinale just recycling the old with more colorful packaging?  It takes more than shiny artwork to re-establish confidence in a film festival that has dug itself into a celluloid hole.

Berlinale Poster

After a few conversations with some professional industry colleagues about the upcoming edition, we are starting to have more questions.  What happened to doing something new?  It is no secret the Berlinale fell behind, lacking the grandeur of Cannes, the artistic component of Venice, the hipness of Sundance or the commercial launching heft of SXSW, the space for change, a new way opportunity,is wide open in the German Capital.  Yet, festival head Tricia Tuttle is on a Honey Moon press tour using pleasant Cucumber Salad language on how the festival looks to differentiate itself from the past. However, on closer examination, what changed appears unclear to regular Berlinale goers.  One category eliminated, a new one added, the same past filmmakers with the similar thematic films appear on the schedule, again.

The wait and see game has started.   Hopefully, the newly installed Berlinale team has not wasted precious good will. 

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Is the Course Change Working?

What happens when a course change may fail before the actual implementation? The 75th edition of the Berlinale could soon become a case study answering this question.   Less than two months before the German Capital hosts filmmakers, headlines rolling out have painted an unflattering portrait of the Potsdamer Platz headquarters.   Head Tricia Tuttle makes her debut February as the first female head of the international film hub.  Although, reading recent Berlinale news coverage, the American may want to take cover in a dark movie theater in order to forget all the troubles.  

Berlinale

Budget cuts, lack of screens, controversial past winners have taken a toll on the Berlinale’s reputation in the global filmmaker community.  Global filmmakers may skip Berlin, weary of being labeled antisemitic because of their stance on the Middle East conflict.  Instead of celebrating cinema, captions reading “a balancing tightrope”, “unwanted fears”, “revising the budget every month” are overshadowing a cinematic event trying to regain competitive footing with Cannes and Venice Festivals. 

As for the movies announced so far, the schedule comes as torpid, local, lacking big draws, a zero-sum excitement level.  The Competition category announcement occurs on January 21st. Perhaps then, the Berlinale can regain some it’s lost luster.

The Berlinale starts February 13th.

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Choice or Opportunity talk on Chat Cinema

Director Wes Andre Goodrich talks about his short film MEAL TICKET on this episode of Chat Cinema Podcast. The work centers on a story of a choice and an opportunity. The up and coming Brooklyn based filmmaker’s delves into the conscience of a person taking a step upward, but at what price?

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Choices in Their Works

Chat Cinema interviews Award Winning Directors, talking about their short films and future work. Cannes Film Festival Golden Palm Winner The Man Who Could Not Remain Silent from filmmaker Nebojsa Slijpcevic and Meal Ticket by Wes Andre Goodrich are works concerning choices. Stay Tuned for the new episodes.

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The Season is Here

Awards Season has started, so has our screening of films that could get nominated for a trophy. Look for news, interviews and reviews here.

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HollyShorts and Short Films

The 20th annual HollyShorts film festival is underway. Check here for coverage with reviews and interviews with filmmakers from the Hollywood gathering.

Holly Shorts

Please go to our YouTube Channel for Chat Cinema Podcasts with other filmmakers.

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Music and Climate Change

From the Tribeca Film Festival there were more titles screening on the subjects of music and Climate Change.

Saddled with the description “Too Black, Too Fat,” this label would shadow the acclaimed singer for his entire career.

Tribeca Film Festival
Singer Luther Vandross

Drew Porter pulls back the sparkling curtain, presenting a story of a singer whose zig zag rise to stardom did not come at a price, more from a silent suffering.  Using archival footage with interviews from close friends, the documentary peels away the layers of Vandross move from a New York back-up singer ton the kids show Sesame Street, working with David Bowie and Bette Midler to becoming the top voice of RnB music.  Luther: Never Too Much will inspire many to investigate Spotify.

After listening to the opening musical beats, I was hooked on yet another musical themed documentary.  Anyone on the Spanish Isle of Ibiza during the summer knows Carl Craig. Form a set at one of the massive Beach Disco locales.  The Detroit born techno music maestro is the center of Desire: The Carl Craig Story.  As a major figure in the Motor City Music scene the DJ and director Jean-Cosme Delaloye embark on a personal trip beginning in industrial ruins to the global party going capitals.

Tribeca Film Festival
Carl Craig

Subtle

Slave Play. Not A Movie. A Play is one of those works with the subtlety of a 10lb brick in the face.  Jeremy O. Harris goes behind the curtain to show the word his process for creating his controversial sexually charged Tony Nominated drama Slave Play.  Many writers are great manipulators, able to play with emotions with a naughty wordsmith veneer.  Many will have a problem dramatising a 280-year-old tragedy being reduced to carnal fetish.  On the other hand, some will praise Harris’s vision.  The world would be a boring place if everyone had the opinion.

Tribeca Film Festival
Slave Play. Not A Movie. A Play.

Effects on Kenya

The continued drought in Kenya is causing havoc on communities.  Last year I screened a film on the violence caused by lack of water for farmers.  This year another entry came on my screen, Searching for Amani.  Once again, it is a story involving conflict over scare resources.  Nicole Gormley and Debra Arko’s camera accompany a minor’s journey to understanding the reason for his father’s murder while trying to understand the fast-changing world around him. 

There is a part of Nairobi Kenya where the raw Earth is no longer visible.  The area is covered with fabric strips from discarded clothing dumped by global clothing brands in the capital neighbourhood. This shocking scene encapsulates fashions footprint on the environment.   Japanese fashion designer Yuima Nakazato traveled to the African nation to see the piles of excess clothing waste.  Kossai Sekine’s makes an environmental statement on how Climate Change consequences have been compartmentalized by consumers and the fashion business in his film Dust to Dust.

Tribeca Film Festival ran from June 6th to 16th.

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Tribeca Fest 24

The 22nd Tribeca Film Festival starts June 5th. With 103 films and 86 premieres this yer looks promising.

Get the news, reviews and interviews here and on the Chat Cinema Podcast.

Tribeca Film Festival
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Cinema entertainment Fashion

Fashion and Movies

Cinema and fashion designers have gone hand and hand for decades. Recently, I attended a film festival event. Concerning collaborations, there was a lack of knowledge on the matter among many modern filmmakers. A costume can enhance the profile of film, Jane Fonda in 1968 Barbarella, the famous futuristic scanty pieces have become iconic designed by Paco Rabanne.

Fashion Designers and Movies