The Netflix effect is real. The streaming has effected the cinema world like no other technology. The Chat Cinema Team, Steve, Kristin, and Breck discuss the shockwaves.
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Tag: movies
Rejection is a form of Protection
“It is not enough for a film festival to be righteous. The films shown should be engaging.” I did not attend the Berlinale this year “because of the limited space”. The likely reason, the Chat Cinema podcast I produced criticising the festival. Someone took offence.
Reading over the reviews of the 69thannual event, “the press offices rejection is a cinema lovers protection.” It feels like I did not miss much. More like, saved. I support filmmaking. But when a film festival states “your attendence is not wanted”. I can take a clue. Although, I wanted to see Monos and What She Said.
If a person is going to spend time in a dark cinema, the very least to expect is engagement on a some level, not a sermon with a heavy dose of pretensions. This has been lost on the Berlinale team.
Congratulations to Me
While there were many tributes to Kosslick for helming the festival since 2001, this years Berlinale lacked a well received Competition entry. I spoke to a writer colleague who described a film as “Just Boring!” Why the lack of high powered wattage for the creative heads final walk on the red carpet? But with celebration of Dieter continuing, why notice the many mediocre to average films? Instead, focus on the face saving self-congratulatory events took precedent. The Guardian’s festival review of “hapless” seemed fitting.
I believe women should have more opportunities to direct. Sadly, the film business has not felt this way. But I say, a female helmer can make a Heaven’s Gate like her male counterpart. Being on the political left side of social movements, the Berlinale showcased many women directors. Too bad their films were not up to par.
I asked about fest opener, screened out of Competition, The Kindness of Strangers from Danish director Lone Scherfig. The words used, “Repetitive” and “too long”. The 34 metascore out of 100 says it all. Gender does not make anyone a good filmmaker. Holland’s Mr. Jones, screened in Competition, nodded audience to sleep with its 141 minutes weightiness.
Enjoy
Regardless if the Berlinale denies Chat Cinema/Black and Paper accreditation for 2020. Allow as many Instagram Influencers on the red carpet as possible. This is a festival in a transitional crisis having lost its artistic and commercial way.
Will Carlo Chatrian change course? One can hope, taking pleasure from attending the Berlinale should not be a mortal sin.
Perhaps I will attend the the 70th edition of the Berlinale. If I am not on the blacklist for honesty.
The 69thBerlinale is shaping up. French Academy Award winning actress Juliette Binoche heads the festival jury starting February 7th2019.
Danish director Lone Scherfigs “The Kindness of Strangers” opens the winter cinema event. According to the press film’s release, the ensemble work stars Zoe Kazan and Bill Nighy as a group living in New York. Lone, a Berlinale regular, is known for character driven films. “An Education”, with Carey Mulligan opened to positive reviews with award nominations.
This is the swan song for Berlinale head Dieter Kosslick. After 18 years of greeting cinema goers on the red carpet, he is hanging up his hat. New head Carlo Chatrian takes over the creative reigns in 2020.
The Golden Glove 
Ghost Town Anthology 
By the Grace of God
Staying to it’s reputation, the Berlinale showcases independent films and filmmakers with outsider perspectives.
The Competition list of films announced:
The Ground Beneath My Feet by Marie Kreutzer
By The Grace of God byFrancis Ozon
I Was Home, But by Angela Schanelec
A Tale of Three Sisters by Ermin Alper
Ghost Town Anthology by Denis Cote
The Golden Glove by Faith Atkin
Stay Tuned for our Chat Cinema Podcast on the 2019 Berlinale.
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The Sunset Inspirational Festival
Black and Paper exclusive interview with Evolution Mallorca International Film Festival Creative Director Sandra Seeling.
Would you say filmgoers are looking for different stories and narratives?
In my experience as a festival programmer, filmgoers want to be surprised and inspired. They want to be taken out of their daily routines and experience new adventures and new point of views.
As a woman, why do you think there are so many challenges for women to direct films?
Women do not get the same opportunities as men. As a woman, we are instantly thought of as less capable, emotional and not as efficient. Unfortunately those attributes are deeply imbedded into the male think pattern (not only in the film industry) and make it harder for women to even get the chance to prove themselves. The challenge also lies in the century long history of the film industry. We as women have to simply keep pushing forward, to do an exceptional job, stand together, and support each other.
Why did you choose Paul Haggis this year as an honoree?
Paul is an incredible social justice advocate and his vision fits really well with EMIFF’s mission; BRIDGING CULTURES – BRIDGING PEOPLE. His work as a filmmaker and humanitarian makes him the perfect recipient for the Evolution Vision award, an award given to a filmmaker with an active vision to encourage unity and peace on our planet.
Isabelle Huppert is one of the greatest actresses of modern screen; her latest film has been submitted for the Academy Award for Foreign Film but “Barrage” seems dark for a festival on an idyllic island. Why did you decide to screen this film?
“Barrage” tells the story of three generations of women. Isabelle plays Elisabeth who is raising her granddaughter while her own daughter Cathrine is busy exploring the world. When Cathrine returns, she kidnaps her daughter from her mother and the story takes a dark turn into very emotional territory. I love the way director Laura Schroeder tells this fragile story of three women, all different ages but connected by the simple fact that they are family. They mirror each other, at the end of the day they are more similar than they like to admit. EMIFF wants to promote young new filmmakers who have a unique vision. Laura’s work in “Barrage” is all that and more.
How do you envision the festival in five years?
In five years I see EMIFF as a year long event with Evolution LAB’s (Workshops and conventions) in the summer and a solid festival in the fall. I want the festival to be known as “The Mediterranean Sundance” and want everyone to know our mission is “Bridging Cultures, Bridging People”. I hope to continue to grow our audience and attract more international filmmakers to come and enjoy our island, inspiring films and great networking.
You meet filmmakers from all over the world. What is your opinion on the general state of global cinema?
My sense is that the world is our playground. Globalization creates endless possibilities for filmmakers to connect, interact and create together even when being on different continents. On the other hand, I think filmmakers still appreciate nothing more than a real face to face conversation, round table or discussion panel or Q&A. Connecting virtually is a great possibility but real connections is what sparks new ideas and fuels new stories and films.
Sandra Seeling is the founder and director of the Evolution Mallorca International Film Festival in Palma de Mallorca, Spain. She is an actress, director, and producer.
The 6th annual The Evolution Mallorca International Film Festival starts on October 26 until November 4th. For more information go to: http://www.evolutionfilmfestival.com/
The 2017 Cannes Film Festival line-up has been announced, read the feature from France 24.
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Berlinale Winners
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Berlinale Winners
A lot of surprises this year from an unpredictable jury!
Golden Bear Award for On Body and Soul
Jury Prize Silver Bear for Felicite
Silver Bear Alfred Bauer Prize for Spoor
Silver Bear Best for Aki Kaurismaki
Silver Bear Actress for Kime Minhee
Silver Bear Best Actor for Georg Friedrich
Silver Bear for Best Screenplay for A Fantastic Woman
Silver Bear for Outstanding Artistic Contribution for Ana, mon amour
Glashutte Original Documentary for Ghost Hunting
Panorama Audience Award for Insyriated
Panorama Best Audience Award Documentary for I Am Not Your Negro
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Berlinale-All the Reviews
Film Critic David Mouriquand attended the 67th Berlinale, as a trusted creative colleague of the Black and Paper we value his opinions on features that ran for the ten day festival.
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Berlinale 2017 Album
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Berlinale Day 9
Berlinale Day 9
The final day of screenings, the Romanian film Ana, Mon Amour from previous Golden Bear winner Calin Peter Netzer ran for the press in Competition. A complicated psychological love story involving, sex and religion. The narrative structure of the film is complex, flashbacks. It was noted the film was influenced by Bergman’s Scene from a Marriage.
Starring Diana Cavallioti and Mircea Postelnicu as a couple with challenges, the director focused on close ups of the actors to move the story along. There is a lot of nudity along with a strong sex scene, was the sex over the top? The opinions were mixed.
Hugh Jackman, Patrick Stewart, and Director James Mangold arrived at the Berlinale with their new film Logan, another sequel to the Marvel Comics X-Men/Wolverine Series. The latest franchise installment screened out of competition. The applause level was 4/10. After a festival of so many heavy films, it was a relief to see a Hollywood Blockbuster film.
Logan marks the end of the series for star Jackman. He and his team took on a darker tone with the R rated saga with a marked increased level violence and the added ingredient of eleven year old killing machine Laura (Dafne Keen). This was a controversial topic during the press conference. Mangold defended the violence by saying his film was aimed at adults.
I did not see the film but the press room feedback was mostly positive.