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Cinema entertainment news

The Oscar Race For Short Films in 2022

Presenting varied International Short films that are Oscar eligible. The standard of these films are original and mostly excellent.

Starting with Tech to the Future by Sandro Monetti, not surprisingly, it is something otherworldly. The only non-fiction film here, the mood is like a news item straight out of Robocop. On-screen narrator Francis Hellyer proclaims that technology will lead us to a brighter future. His defiant sound bite: “Forget all the dystopian doom and gloom.” Subsequently, he visits various innovative tech industries. These range from a flying car development to AI digital replicas – a cloned Bruce Willis anyone?

Nakam from Ukraine is based on a true story in World War Two. It cultivates a good use of period setting, atmosphere and mise-en-scene. Ultimately it seems to question the circumstances and morality of killing, regardless of justified conviction.

The Bangladesh entry Moshari (a Mosquito net) hauntingly builds up suspense and tension well. This is achieved by allowing the psychology and paranoia its own freedom of projection. Most importantly, it pulls back from the border of implausibilities. These mature qualities serve the denouement well.

Meanwhile, The Silent Echo is a bitter-sweet snapshot of aspirations to escape remote life. A young Nepali singer travels by long-distance bus for a music talent contest. However, his performance does not get the response he hoped for. His dedicated efforts in vain, he travels back home, to the beginning again. Silent Echo won London’s Raindance Film Festival Shorts in 2021.

The Tommaso Acquarone-directed I miei occhi (My Eyes) concerns a woman caught up in traffic. Speaking on her mobile phone, she is already containing private tension. Soon, she offers a lift to a street performer she has seen before. The rest of the film promises greater suspense but ultimately reaches a juncture. Therefore, a good idea gets stuck in a dead end.

A wayward teenager in The Wake is frustrated by his live-wire father and passive mother. Accompanied by his deaf younger brother he seeks an outlet for his emotions. Breaking into houses and stealing token items he dubiously achieves this aim. However, an inexorable trajectory occurs after he finds a gun in a local house. The somewhat unexpected ending rounds off an original take on the suspense drama.

Finally, War of Colors is a heartfelt plea for sympathy for those born with the albino condition. A pretty, intelligent, and sensitive young woman finds discrimination even within her own race. Her brave and disheartening struggle for acceptance is both compelling and thought-provoking. Diandra Forrest excels as the central character in this another worthy Oscar short contender.

~ By Steven Yates entertainment contributor.

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Cinema Fashion Feature

Chat Cinema-Awards Season

Black and Paper presents Chat Cinema. A podcast involving everything cinema featuring diverse opinions on awards, stars, filmmakers, film history, festivals, and books.  

Sponsored by Beyerdynamic

The inspiration behind this project was the need to get more voices heard in regards to the cinema world. I know so many diverse cinephiles, I decided to tap into their skills, knowledge, and experiences to produce a show.  Also, whenever we get together the topic of conversation always leads to cinema, why not record it? 

Episode 1-Awards Season, contributors Sofia Stavrianidou and Steve Yates give their views on this years competition.  What are their predictions?  Who deserves to win? Does the Academy dislike a certain actress? Plus, a digression on a film master from the past. 

Sofia Stavriandou studied Classics, at the National Kapodistrian University in Athens, Greece and took classes on Film and Communication in Athens and Cologne, Germany, She’s been a film professional for 20 years, specializingin press, publicity and media. Her experience include: working as the Communications Manager at the Thessaloniki International Film Festival and the Thessaloniki Documentary Festival (Greece), additionally, as Press Office Manager at Odeon Film Distribution (the largest distribution company in the Balkans and Greece), as well as a Film Sales and Acquisitions Executive at M-Appeal World Sales (Berlin). Today, her main role is the Head of Communications at Hellas Filmbox Berlin, the Greek-German Film festival in Berlin. As well, she cooperates with re:publica as publicity manager. Sofia has been based in Berlin since 2012.

Steven Yates studied Film and English at Kent University before taking an M.A. at Westminster University in London. Working as a freelance film writer since 1998, he has been published in books for Wallflower Press and in magazines and websites including El Hype, Celluloid, afterimage, Film International and theartsdesk.com. Based in Berlin, Steve is a member of FIPRESCI (The International Federation of Film Critics) and has sat on their jury at numerous international film festivals since 2002. He is also one of the main English language supervisors for the FIPRESCI website (www.fipresci.org).

Stay tuned for more podcast on cinema topics.