Luther: Never Too Much is the story of performer Luther Vandross. The crooner who was “Too Black”, “Too Big” got boxed in by the music business. The color codes of the industry meant the New York born native never gained wide stream acceptance, i.e. the White Audiences embrace. After stints on Sesame Street then music arranging for super star David Bowie, Luther embarked on a R&B solo career. However his success in a “defined” Black American genre came at a price. The eight Grammy Winner’s record label refused to allow him to cross over, despite working with mainstream artists Diana Ross, Donna Summer and Bette Midler.
Director Dawn Porter’s soft touch balances presentation with a touch of grievance. “Life is a perfect line of ironies” goes the expression.
Luther Vandross passed away in 2005.
Luther: Never Too Much is in cinemas and available on MAX.
Luther: Never Too Much was screened at the 2024 Tribeca Film Festival.
Mira Shaib’s Arze has been chosen as Lebanon’s entry for the Academy Award for Best International Film. The story of a single mother keeping her family above water with a home pastry business. Ambition can be a bad counselor. After buying a scooter for business expansion, Arze finds herself on a quest through Beirut trying to recover the stolen minibike.
Screened at the 2024Tribeca Film Festival, Arze delves into a dysfunctional world where tribalism rules. Mira tackles the subject with an underdone urgency.
From the Tribeca Film Festival there were more titles screening on the subjects of music and Climate Change.
Saddled with the description “Too Black, Too Fat,” this label would shadow the acclaimed singer for his entire career.
Singer Luther Vandross
Drew Porter pulls back the sparkling curtain, presenting a story of a singer whose zig zag rise to stardom did not come at a price, more from a silent suffering. Using archival footage with interviews from close friends, the documentary peels away the layers of Vandross move from a New York back-up singer ton the kids show Sesame Street, working with David Bowie and Bette Midler to becoming the top voice of RnB music. Luther: Never Too Much will inspire many to investigate Spotify.
After listening to the opening musical beats, I was hooked on yet another musical themed documentary. Anyone on the Spanish Isle of Ibiza during the summer knows Carl Craig. Form a set at one of the massive Beach Disco locales. The Detroit born techno music maestro is the center of Desire: The Carl Craig Story. As a major figure in the Motor City Music scene the DJ and director Jean-Cosme Delaloye embark on a personal trip beginning in industrial ruins to the global party going capitals.
Carl Craig
Subtle
Slave Play. Not A Movie. A Play is one of those works with the subtlety of a 10lb brick in the face. Jeremy O. Harris goes behind the curtain to show the word his process for creating his controversial sexually charged Tony Nominated drama Slave Play. Many writers are great manipulators, able to play with emotions with a naughty wordsmith veneer. Many will have a problem dramatising a 280-year-old tragedy being reduced to carnal fetish. On the other hand, some will praise Harris’s vision. The world would be a boring place if everyone had the opinion.
Slave Play. Not A Movie. A Play.
Effects on Kenya
The continued drought in Kenya is causing havoc on communities. Last year I screened a film on the violence caused by lack of water for farmers. This year another entry came on my screen, Searching for Amani. Once again, it is a story involving conflict over scare resources. Nicole Gormley and Debra Arko’s camera accompany a minor’s journey to understanding the reason for his father’s murder while trying to understand the fast-changing world around him.
There is a part of Nairobi Kenya where the raw Earth is no longer visible. The area is covered with fabric strips from discarded clothing dumped by global clothing brands in the capital neighbourhood. This shocking scene encapsulates fashions footprint on the environment. Japanese fashion designer Yuima Nakazato traveled to the African nation to see the piles of excess clothing waste. Kossai Sekine’s makes an environmental statement on how Climate Change consequences have been compartmentalized by consumers and the fashion business in his film Dust to Dust.
Once again on the Tribeca Film Festival platform I screened a movie on a musical artist who got cheated in three categories; historical, financial and recognition. BAM BAM: The Sister Nancy Story fills in the blanks concerning one of the most sampled musical pieces in history from a ground breaking performer, Jamaican songstress Ophlin Russell, better known as Sister Nancy.
BAM BAM:The Sister Nancy Story
The 62 year old recorded a 1982 low budget music track in Jamaica titled “BAM BAM”. A tune that would travel the world, earning millions, sadly, none for the singer. Director Alison Duke traces the roots of the Reggae beat from inception to Nancy’s new found global appreciation in this up-tempo documentary.
Claude Nobs
The second documentary based on a music subject, They All Came Out To Montreux is a homage to a Jazz Festival and the vision of its unconventional founder Claude Nobs. Using archival footage of stars ranging from Nina Simone, David Bowie to Prince, the film is an inspiring salute not only for melody lovers, but for creatives around the world.
1980’s Again
Being too hyped can be a curse, just ask a Brat Pack Member. For a few moments in the 80’s a handful of young actors dominated the entertainment headlines not for their acting work, but as celebrities supposedly living the Hollywood Dream. Andrew McCarthy’s Brats explores the youth phenomenal. Did the term hinder careers? As a member of the “It Click”, McCarthy along with Demi Moore, Emilio Estevez, Ally Sheedy and Rob Lowe talk about the effects and pressures of having a label with a baggage. Thank Goodness there was no St Elmo’s Fire 2.
Are formal balls inspiring? An uplifting a path way to a different life or an out-of-date ritual in need of reinvention? The Debutantes charts young Black Women’s social coming out in Canton Ohio. The dedication and romanticism do not come easy during the countdown to the big day. There is no mystery about Contessa Gayles’ intentions: dignity, self-esteem and hope.
The Debutantes
Do Scandinavians have a sense of humor? After watching Eirik Tveiten’s short film of “Camping in Paradise”, Yes! This story of personal fragility braking down in a nudist camp is a cock-a-hoop laugh.
Camping in Paradise Learning English
Jean Liu’s short film Learning English used the perfect formula for modern comedy. The set-up, execution and pay-off should be studied in film schools. Learning a second language should be pleasurable.
Ruthless Blade
Blood, revenge and perhaps slightly personal, that is how I would describe Bo Zhang’s animation short Ruthless Blade. A cat’s tale with fantasies of being a warrior tiger packs some strong renderings.
All films were screened on the Tribeca Film Festival Online Platform.
The Hollywood Strikes hit the entertainment industry in 2023. Work stoppages caused disruptions along the chain from Hollywood to independent cinema. The film festival circuit did escape the five-month long actors and writer’s dispute. As I cover the Tribeca Film Festival there is a marked difference in the level of entrants. A number of foreign filmmakers along with titles from female directors made the cut this year. The New York City film event unveiled 114 narrative and documentary titles.
In Sexual Demand
Hot masculine top, athletic body, how hard would it be for a guy with this description on his profile to hook-up on Grindr? Nicolas Finegan’s Some Kind of Paradise short film handles the challenges of a Gay Life based on isolation, fast food sex and the ins and outs of emotional intimacy. John Brodsky makes a subtle impression of a sexually in demand man boxed in, suddenly tapping into awakening feelings.
Black Table
Since the fall of Jim Crow, African Americans have made inroads to higher education, however not without challenges. Recent headlines of the US Supreme Court tossing College Admission Affirmative Action Programs are the latest struggles. For People of Color, navigating certain spaces can be tricky, a balancing act of fitting in, yet trying to retain identity. Black Table, is the story not just about race but of social economic class attending Yale University in the 1990’s. The film is a soft chronicle of unconscious prejudices faced at an Ivy League Institution with the always hanging question, “Do You Belong Here?” Co-Directors John Antonio James and Bill Mack offer an honourable perspective about New Haven.
Survival
Recently, I noticed more filmmakers focusing on the plight of women in the Middle East. Once upon Beirut was called The Paris of the Middle East. A once prosperous city with a freewheeling spirit population made up of diverse groups. Now, the Mediterranean capital struggles with corruption, simmering conflict and citizens looking for an escape hatch. All if these elements come together in Mira Shaib’s first film Arze describes itself as a comedy drama of titular character Aze trying to stay afloat with a teenage son and an emotional challenged sister while dreaming of a way to earn more money by buying a scooter. The irony of making life easier turns into a nightmare when the moped is stolen. What follows is a tale of urban frustration rooted in survival.
Arze
How do you make a touching film short about hair lice? Hindu director Vindhya Gupta’s eloquently shot Lice shows the answer. The story of a blossoming friendship coming to life under ticklish circumstances.
Lice
All films were reviewed online. The Tribeca Film Festival runs until June 16th.
Screened at the 2022 Tribeca Film Festival, the documentary The Story of Bones he recently hit the headlines of the British paper The Guardian. The feature debut from duo Joseph Curran and Dominic Aubrey de Vere is the story of a purposely hidden tragedy. The Transatlantic Slave Trade’s so called “Saviors” were not as benevolent as they appeared. On St. Helena, Annina Van Neel uncovers the island’s role in an injustice involving “freed human cargo”.
What is the expression? “Be careful what you wish for.” It might come true. CYPHER could be a cautionary work about modern fame and its downside. Tierra Whack from Philadelphia, found online fame rapping on the streets. Her journey to the top had a fairy-tale angle, a young lady from the wrong side of the tracks goes on to become famous. Director Chris Moukarbel observes the double edge of fame, from the adulation to the cra-cra. As the Cypher unfolds, rooting for the rapper suddenly goes to “Girl, you are in danger!”
Cypher
Gentrification has hit every urban area in the world. Finding affordable housing in any city is the same as trying to guess seven winning lottery numbers. MOUNTAINS by Monica Sorelle tells the story of a Miami affordable neighborhood being gentrified. Atibon Nazaire stars as Haitian Xavier Sr., a man contemplating a foggy future for him and his family. Atibon strong presence balances subtle performance as a man looking at an oncoming storm.
Not that we needed a film about how strange the world was during Covid and the lockdowns. Brazil’s A STRANGE PATH captures the moment by showing the peculiar monotony of life of doing nothing and waiting with a feeling of fear and seeking out comfort. Lucas Limeira stars as a filmmaker returning home only to be confined to a dingy hotel room during the closures while a dysfunctional relationship with his father goes beyond repair.
A Strange Path
Headlines Made Me Watch
Why was I drawn to IT’S BASIC? The political headlines of Dr. Cornel West announcement of his candidacy for president of the United States in 2024. As poverty and inequality grow in America, a desperate populace is looking for new answers. Marc Levin points his camera at subjects weighed down by an unsympathetic system. The “working poor” in the country have been ignored. Cities finding themselves unable to ignore the harsh realities of neo-liberal government policies have come up with new solutions to address the problem of an ever larger underclass: a basic income.
It’s Basic
An honorable mention goes to DEEP SEA. China’s ambitious underwater animated adventure from Xiaopeng Tian. I had problems with the fast pacing and lack of sympathetic characters, but the visuals were top-notch.
Canada’s HEY VIKTOR got so silly I started to laugh out loud. Cody Lightning’s comedy about self-serving comeback while making a low or no budget film had moments.
The 21st Tribeca Film Festival kicked off on June 7th. The New York City cinema gathering spools a mixture of indie and mainstream titles. What I like about this festival is the slick production values of entries or debut directors can have well-known performers.
I do not review Marvel films because Superhero works are review proof and I have nothing to add to the conversation. With that in mind, I was hesitant about viewing David Gelb’s STAN LEE is an extremely pleasant documentary on the visionary comic book creator of Spiderman, Hulk, Thor, Ironman, to name a few. Just to go to a local movie theater, certainly one of his creatures is playing on the big screen.
Putting the hero worshiping aside, the dark side of the film shows a man naive when it came to the business of intellectual property. Secondly, sharing creative credit with colleagues Jack Kirby and Steve Kirby placed a cloud on his some creations. What is the expression, “Success has many Fathers”. Lee’s other talent was his uncanny way of self branding to all the super human characters. Even up to his death in 2018 at 95, Stan made numerous cameos in the Marvel Cinematic Universe.
Shifting to a more series tone, RATHER, or the film on the life of journalist Dan Rather. To a generation, Rather was the epitome of journalism and news. From his stories covering Civil Rights, embedded in Vietnam, White House chief correspondent during the Nixon Years, 60 Minutes and the CBS evening news anchor, the Texas native had embraceable credentials becoming a voice of reference for two generations.
Frank Marshall getting to the root of what makes a great journalist, shaped by many of 20th centuries biggest events. What resonates today is the level of past professional competence along with assurance missing in today’s 24-hour branded news cycle or YouTube commentators.
I have watched other films dealing with climate change and its affects on the impoverished. Utamar from Bolivia and Pepples from India told stories of environmental desperation. This year, BETWEEN THE RAINS from Kenya caught me off guard. I wasn’t looking for but thankfully found this documentary.
Directors Andrew H. Brown and Moses Thuranira document the life of a young sheep shepherd facing deadly conflicts in a world of either prey and predator. Kolei dreams of another life, but is trapped by one of encroaching violence because of a lasting drought. The striking landscape shot by Brown doesn’t disguise a sense of growing unease for the principal characters or the viewers.
Stay tuned for more coverage
Tribeca Film Festival runs until June 18th.
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