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Cinema podcast

REVENGE

A preview if the short film The Women’s Revenge. Stay tuned for the Chat Cinema podcast from the IFFR.

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Fashion

Chat Cinema talks #MeToo

This Chat Cinema Podcast came with a lot of thought. We debated on how to cover the topic. 

The #MeToo Movement has affected every part of the entertainment industry. In light of the revelations, Hollywood is going through a period self reflection.

I worked in the film business. The “casting couch” was very much a part of the process for women and men. The stories of “midnight meetings” were part of the landscape. The history of Hollywood: Studio moguls, executives, directors, and producers dangled parts for “favors”. Actress Heddy Lamar said, “the most famous women in the world were the biggest sluts”.

Steve, Sofia, and Breck discuss the topic that has up ended the industry. 

Use Your Head

Harrvey Weinstein never covered his trail. There was no need because he made money and won awards. Many willingly overlooked his behavior. Guardian Film Reporter Peter Bradshaw referred to him as the “Caligula of Cannes”.

The performers union SAG/AFTRA represents 160.000 performers. Many always looking for work or the big break.  When a once in a life time opportunity knocks on the door, many turn off the thinking button. A chance of a chance of landing a role in a film or televsion show.

Victim shaming is a term used in elite centers like Los Angeles and New York City.  All hotel rooms have one main piece of furniture, the bed. If a late night meeting takes place in a suite, perhaps questions should be asked.  The most obvious is, why this time? In urban culture this is described as a “Booty Call”.  

As a gay man who has been involved in a few late night rendezvous, a “meeting” at the Ritz after 9 pm usually does not involve detailed contract negotiations.  

Female Control 

Rewriting history for the sake of an argument clouds over past female achievements.  Women controlled their cinema destinies.  Mary Pickford co-founded United Artists studio with Chaplin, Douglas, and Griffith. Gloria Swanson briefly produced her own features after leaving Paramount. Claudette Colbert reached the top of the mountain becoming the highest paid performer in the business in 1938 and 1941 with complete control of script, director and leading man casting decisions. Colbert demanded certain close up camera angles from cinematographers. 

While the need for diverse voices is crucial. The heavy doses of sermonizing mixed with A-list  victimhood dilutes the message. Madonna going on television  complaining about career obstacles as a woman came across as humbled shopping spree at Nieman Marcus.  Protesting about fair treatment while walking the Red Carpet wearing $10.000 gowns had an air of day time soap opera self importance.   Am I the only person who missed the point?

Yes! The film community needs to do better. There is hope.  Less Victimology, more substance would be appreciated. 

The writer worked in Hollywood at the bottom of the ladder staring upward.

Categories
Fashion

What Comes Around

A Black and Paper interview with director Reem Saleh. The filmmaker’s documentary “What Comes Around” is a glimpse into the lives of people residing in a poor area of Cairo, Egypt neighborhood.

What Comes Around avoided Western Stereotypes of People lives in the region. There were human factors, not the 2 dimension images shown on regular television.

I am happy you saw this human factor in my film, not stereotypes. The Middle East is huge. There is everything. Stereotypes do not reflect the society. The Egyptian neighborhood is Muslim, but religion does not play a role in the film. It is a film about the struggles of life.

Can I say the subjects of the film seemed to suffer from a “Poverty of Decisions Making”?

Actually No! They did what they felt. They were happy they managed to buy a motorcycle, (for the son) so they wanted to sacrifice a rabbit because this removes the “evil eye” and paying for the two weddings.

You may think it is poor decision making or a waste of money but personally I think there is nothing wrong with this. It made them feel good.

You did not judge the characters, it was presentational, true?

Yes, it is true. I followed them and their lives. There is no right or wrong. I wanted the audience to see it without being judgmental.

Are the subjects of the film trapped or doomed to their fates?

I wouldn’t say “trapped” but perhaps in a vicious circle. They are in their comfort zones, contentment. Few start climbing further. I hope this films opens the horizons for them to do things differently.

What is your background?

I am passionate about film. I studied cinema in Lebanon at the American University. I worked in TV and did some acting. I worked for the Doha Film Institute as a film programmer. I started working on this documentary in 2010. I shot over 200 hours of footage, post production took a year.

WHAT COMES AROUND was screened at the 68th Berlinale in the Panorama Section.

This interview is part of the Black and Paper #thisberlinale18 project, sponsored by Canon Camera and Pringle of Scotland.